When all else fails, garden

By Vanessa Spady

Despite all my best plans, life requires more of me than just puttering in my garden, planting and feeding and admiring my iris, and writing my favorite blog about gardening. Indeed, all the things other than my garden are often the reason I so desperately yearn to get back to my garden and revel in its restorative beauty.

'Coral Point' ( George Sutton, R. 1999). Sdlg. G-67. TB, 37" (94 cm), Midseason late bloom. Ruffled and laced pale pink (RHS 56D); beards coral, pink horn; slight musky fragrance. 'Sky Hooks' X F-257: (2-14A: ( 'Pink Ember' x 'Playgirl') x 'Twice Thrilling'). Sutton 2000.

It has been a remarkable year, as I look back at my blog postings, photos, and out into my yard. Not only did we plant our experimental garden of kiddie pools, re-purposed tires, and (hopefully) gopher-proof raised beds, but so much has happened in the world. So many public figures and close friends have passed on, the election was a tumult no matter what stance you take, and personally, there has been so much upheaval, drama, excitement (both good and not so good) and commotion in my life that garden therapy has become my saving grace.

'Alien Mist' ( Cy Bartlett, R. 1998). Seedling HD-IQ 1. TB, height 37" (94 cm), Midseason bloom. Ruffled very pale blue self; beards bright medium blue violet, horned; slight sweet fragrance. 'Howdy Do' X 'Inca Queen'. Sutton 1998.

I don’t have a routine or schedule for gardening; I often have to squeeze in projects and maintenance around other obligations, and I know this is true for so many of my friends and fellow-gardeners. That’s unfortunate, both because the number of hours my garden wants from me and the number I can provide are usually not the same (with the deficit showing in weeds and untidy beds), but also because the benefits of being in my garden extend beyond the well-being and beauty of the flowers into the well-being and beauty of the soul. Big words, but it’s true for me.

There is something so healing in a freshly turned bed. Even just clean dirt makes my heart happy. Planting is wonderful therapy, even if the rewards are only visible one season a year (for non-re-blooming iris). Weeding an area, and stepping back to see how the plants can now stretch, and grow, and thrive… it polishes up the tarnish that day-to-day living splashes on us in little bits all day long. 

'Fortunata' (Joseph Ghio, R. 1985) Sdlg. 79-125-O. TB, 38" (97 cm), E-L. S. melon; F. cool white, melon rim and shoulders; tangerine beard. 'Artiste' X 'Private Label'. Bay View Gardens 1986. Honorable Mention 1989.

The garden is a place where my mind and soul work together to feel the power and grace of nature. Harmony of the living body and the living dirt is a meditation that results in inner and outer beauty. And, at the end of a day in the garden, there is that lovely, lasting, tangible result that others can see, and share, and appreciate. It’s a lot harder to show your friends how great chanting “Om” makes you feel, but they can all appreciate gorgeous flowers, shady paths, and well-tended beds.

I can’t say when or where I noticed that gardening was good for my soul. I am grateful for the understanding, though. When work comes home with me in an unwelcome way, when stress and traffic and responsibility get too tiring, when I need to feel something more tangible, more basic, more real, I can go into my garden, and shed the rest of the world from my thoughts. I can erase the yuck, and embrace the muck. I shall always turn to my garden for the generous way it rewards my efforts.

'Sunshine Boy' (Frank Foster, R. 1985). Seedling #79-25. IB, Height 25" (64 cm), Early thru late bloom. Standards lemon cream; falls white, deep yellow markings and lines around hafts and orange beard; ruffled; pronounced spicy fragrance. 'Beau' X 'White Lightning'. Pod and pollen fertile. Vagabond Gardens 1986. Honorable Mention 1988. Award of Merit 1990.

Flower Forms of Japanese Iris

By Chad Harris

The iris family Japanese iris, Iris ensata has the most diverse flower forms of any other iris. This diversity has been achieved under the watchful eye of hybridizers in Japan over several hundred years of selective breeding, working with mutations within a single species.

Areas in Japan that bred Japanese iris with different flower forms

Secrecy of breeding stock within the different groups in Japan and the regional taste of perfecting what the perfect flower form should be, gave rise to distinct forms. Container growing for indoor display or garden growing for outdoor viewing also led to distinct flower forms of Iris ensata.

Typical three fall form of a wild type Japanese iris

The typical flower forms found in the wilds are smaller blooms of three falls, three standards, and three style arms. It is easy to remember flower parts of the iris as falls are the petals that hang or fall down, while the standards are the petals that stand upright. The style arms are the central part of the iris flower housing all of the reproductive organs female and male.

Nagai style of flower blooming in a Japanese iris garden

Nagai possibly the oldest flower form found in Japan. This area is known for its wild iris that had more variation in flower colors and patterns.

Nagai form is simple, showing variation in colors and patterns

The flower forms found here are simpler, being collected wild iris that had caught the eye of a collector.

Elevated walkway to be able to look down upon the iris flowers

Edo ancient name of Tokyo is where growers developed different flower forms some with multiple falls. Plants from this area of Japan were meant to be grown in the garden and seen from a higher elevation looking down upon the flower.

Three fall Edo flower form

Six fall or double flower form of the Edo style

Nine fall flower with the horizontal flower form of the Edo style

To get the maximum viewing pleasure of viewing from above, many flower forms whether single (3 falls), double (6 falls), or multi-falls (9+ falls) generally are held in the more horizontal linear line of a plate.

Ise flower form the three falls are pendent

Ise style and form meant to be grown in containers and brought indoors for display. This distinctive form embraces only the three fall variety of bloom. The falls to be seen from the side were bred to be pendent and hang straight down from the haft or shoulder of the bloom. These plants are shorter with the bloom stem at or slightly below the foliage height thus cradling or to seemingly hold the flower.

Higo indoor display

From the southern island the Kumamoto or Higo form was bred. Due to the heavy rains at bloom time these plants were also grown in containers like the Ise flowers to be displayed indoors during bloom.

Higo three fall flower form

Six fall Higo flower form with large style arms and flaring crests

The 3 fall, 6 fall, or multi-fall blooms being viewed from the side were also bred with arching falls, however, not as severe as the Ise form. These are large flowers with very large style arms and upright crests being the “heart” of the flower.

Ball form of the Japanese iris

There are also recognized flower forms that we today would call novelty. The “Ball” form is a flower that does not open fully staying in the balloon stage, or slightly opening up as Yae-gyokuhoren.

The raptors talons of the claw form

The “Claw” form is very self-describing. Do you see the raptors claws?

Hose-n-Hose is one flower inside of another

Rare is the true Hose-n-Hose form. This flower may look at first glance to be a multi-fall bloom, however, look at the placement of the pollen anthers and you will discover that this is truly one flower inside or on top of another. These flowers do not have any seed in the ovaries, they only show layers of more flower parts (petals) one on top of another.

Multiple style arms and crests a form being embraced in the United States

Fast becoming a modern favorite flower form here in the United States is the “Multi-Style Arm”. When the anthers become extra style arms, they make for a tight tuft in the center of the flower. This does have drawbacks as there usually is no pollen to be found. It is also difficult to find which correct style arm to put pollen on for future breeding of the flower. I do not know if this form is found or embraced in Japan and would like to hear from other growers.

For further reading on this subject: The Japanese Iris, by Currier McEwen; Classic Irises and the men and women who created them (chapter 4), by Clarence E. Mahan; and The Japan Iris Society web-site at http://www.japan-iris.org, here you will find English written papers by Hiroshi Shimizu.

Lloyd Austin - Pioneering Iris Hybridizer: Part 3

by Jean Richter

                                          Black Hope (Austin 1963)

Lloyd Austin is no longer with us, but we have a rich legacy in the things he left behind: the treasure trove of information in his catalogs, and the beauty of his iris. Austin’s catalogs were unique in the iris world – jam-packed with text and filled with pictures, they were equal parts encyclopedic knowledge and corny hucksterism. Some of his claims were a bit grandiose (some of those supposedly flat iris never managed to bloom as flat in the garden as they did in the pictures), but one can forgive a bit of exaggeration given the sheer volume of information he provided.

He gave detailed descriptions, printed accurate pictures, gave extensive information about culture and bloom seasons, and put in a delightful array of “secret variety games” to enable sharp-eyed customers to get additional discounts. The addition of color to his catalogs in 1952 added another dimension to the information available. For many aril enthusiasts, the pictures in his catalogs were the best indicators of what these rare iris should look like. In fact, even today some of his catalog pictures are the best available images of varieties long vanished from commerce. The color reproduction in these catalogs was for the most part quite accurate, with the notable exception of green iris. Many a budding iris enthusiast got a bit of a letdown when ‘Green Pastures’ bloomed with a color considerably more drab than the gaudy bright green it’s portrayed as in Austin’s catalogs.

Austin’s catalogs were particularly helpful to hybridizers. He was very encouraging to would-be hybridizers, giving parentage and fertility information (particularly for arils and arilbreds), selling hybridizing kits, hybridizing manuals, and even iris seed.

In the end, however, it is Lloyd Austin’s iris introductions themselves that provide his most enduring legacy. Sadly, many of the aril and arilbred iris he collected or hybridized for introduction are no longer available. Many of the extant varieties require the usual amount of careful culture common to this group of iris, though ‘Turkish Topaz’ (1962) is a happy exception to this general rule. A collected regelia hybrid, it grows and blooms for me with no special care, and grows so well for Superstition Iris Gardens that it practically naturalizes there.

                                       Turkish Topaz (Austin 1962)

More of his reblooming varieties remain in commerce, and I have had very good growth and rebloom from a number of them, including ‘Winter Flame,’ ‘Rip Van Winkle,’ and ‘Dark Mystery’ (1962). Those space age iris that so entranced me that day at Bluebird Haven have a somewhat undeserved reputation for poor growth. While some of his introductions do require a bit of coddling to succeed, I have had very good growth and bloom from ‘Unicorn’  (the one that started it all), ‘Horned Flamingo’  (1963), ‘Pink Unicorn,’ ‘Horned Rosyred,’ ‘Horned Rubyfalls,’ and ‘Flounced Premiere’ (1961).

                                           Horned Flamingo (Austin 1963)

Lest we forget, Lloyd Austin also introduced a large number of regular old tall bearded iris. I have had very good success with a number of these as well, including one of his best known introductions, ‘Tangerine Carnival’ (1957), the impressive ‘Black Sultan’ (1966), and the free-blooming, large-flowered ‘Crimson Colossus’ (1963).

                                              Black Sultan (Austin 1966)

                                     Crimson Colossus (Austin 1963)

Even if you’re a staunch space-ager-hater, there are many Lloyd Austin introductions you might enjoy growing – give some a try!

                                     Spooned Lace (Austin 1963)

If you would like a PDF of a scanned Lloyd Austin catalog, email me at jeanmarierichter@gmail.com -- we've scanned a number of his catalogs, and several of his manuals.

[This article appeared in somewhat different form in Roots -- The Journal of the Historic Iris Preservation Society, Spring 2008, and the American Iris Society Region 14 Bulletin, Summer 2016]

Lloyd Austin - Pioneering Iris Hybridizer: Part 2

by Jean Richter

Part II: Rebloomers and the Dawn of the Space Age

                                Thanksgiving Firelight (Austin 1950) rebloomer

Another of Austin’s major interests was the popularization and improvement of reblooming iris, those iris that bloom more than just once in the spring. He realized early on that if iris were ever to become popular with the general gardening public, multiple-season-blooming iris of quality would be essential to their success. He collected and publicized the available reblooming cultivars, and worked them into his own breeding program.

He began selling reblooming iris in his earliest catalogs, and by the early 1950s had begun categorizing the rebloomers he sold by the month in which they would rebloom, thereby assisting buyers in the selection of rebloomers appropriate for their area.

Austin introduced many rebloomers of his own, greatly expanding the number of available varieties. While some may have been named with a bit too much optimism  (‘Blue Everbloomer’, for example), quite a number of them are excellent growers and reliable rebloomers, such as ‘Winter Flame’ (1953) , ‘Winter Gold’ (1965), and  ‘Rip Van Winkle’ (1963).

                                Winter Flame (Austin 1953)           rebloomer

In May 1944, Lloyd Austin was visiting the garden of Sydney B. Mitchell (an associate of Carl Salbach) in Berkeley, and noticed a ruffled plicata seedling, M-5-38 (introduced in 1945 as ‘Advance Guard’), that possessed a slight projection at the end of its beard. As Professor Mitchell had no interest in pursuing the possibilities of this anomalous beard morphology, he allowed Austin to use it in his hybridizing experiments. He selfed M-5-38, and noticed that one of the resulting seedlings had the beginnings of horns – a lavender fancy numbered 638. 

Among a number of other discarded seedlings he had received from Professor Mitchell, Austin found another with a tendency to form a projection at the end of its beard – JS-M-176B. Austin crossed 9 flowers of JS-M-176B with pollen from 638, resulting in 296 seeds. As the seedlings from these crosses bloomed, he discovered that the great majority had horns to some extent. 56 of these horned seedlings were reselected, and from this one cross came the first wave of Austin’s horned introductions: ‘Unicorn’ (1954) (the first introduced horned iris, initially offered for the princely sum of $100!), ‘Mulberry Snow’ (1955), ‘Plumed Delight’ (1955), ‘Wings of Flight’ (1957), and ‘Spooned Fantom’ (1960). 

                                                Unicorn (Austin 1954)       

                                          Horned Mystery (Austin 1961)

                                           Spooned Fantom (Austin 1960)

Austin then pollinated JS-M-176B X 638 seedlings with pollen from a number of different tangerine-bearded pink iris, including ‘Twilight Sky,’ which resulted in both ‘Horned Skylark’ (1957) and ‘Pink Unicorn’ (1960); ‘Cherie’s pollen produced  ‘Horned Rubyfalls’ (1958); ‘Pink Formal’s pollen produced ‘Horned Rosyred’ (1958); ‘Fantasy’s pollen produced ‘Horned Royalty’ (1958); and ‘Pink Tower’s pollen produced ‘Horned Amethyst’ (1960).

                                              Pink Unicorn (Austin 1960)

                                           Horned Rosyred (Austin 1958)

For the rest of his life, Austin pursued his hybridizing program with space age iris, introducing many horned, spooned, and flounced iris. His work was cut short by his sudden death in 1963 – one can only wonder what new and exciting varieties he would have developed if he had had the opportunity to fully explore the possibilities of space age iris.

Magic Rosette (Austin 1966)

Editor's Note: Jean will conclude her informative information about Lloyd Austin next week in the third part of this series.