Showing posts with label Joe Ghio. Show all posts
Showing posts with label Joe Ghio. Show all posts

Saturday, August 31, 2024

The American Iris Society Announces the 2024 Sydney B. Mitchell Award Winner

'CAUGHT IN THE WIND'

The Mitchell Medal is restricted to Pacific Coast Native (PCN) irises. It is named in honor of Sydney B. Mitchell (1878-1951). Professor Sydney Mitchell was an educator. He became Acting Librarian at the University of California during WW I, and later founded and became first director of the Graduate School of Librarianship at that university. He was also one of the organizers of the American Iris Society.

Tom Craig wrote this of him: "Sydney looked upon plant breeding as a long term international effort in which individuals from all over the world should co-operate and add generation after generation to a real human achievement. He made me feel a real part of this and more particularly a part of a special work started by William Mohr and carried on by himself. Sydney generously gave flowers and plants of seedling for further encouragement with this work."

Mitchell was also interested in the native irises of the West Coast, and promoted them at every opportunity. He took great pride in the plantings of PCNs in his own garden. He had a large collection of various forms of Iris innominata and I. douglasiana

Previous award winners can be found at https://wiki.irises.org/Main/InfoAwards.

Pacific Coast Native Iris 'Caught In The Wind'
Photo by Leonine Iris

'Caught In The Wind' (Joseph Ghio, R. 2012) Seedling #LP-145B2. CA, 16" (41 cm). Early midseason bloom. Standards blue-violet, lighter blue edges; style arms dark blue-purple; Falls creamy white, petal edges lined blue violet; yellow blaze lined over with blue violet. 'Line Drawing' X 'This is It'. Introduced by Bay View Gardens in 2012.

The World of Irises blog will be posting classification medal winners as soon as the hybridizers are notified. The entire list of winners, including Award of Merit and Honorable Mention, will be published on the AIS website, the AIS Encyclopedia, and later in the AIS Bulletin, IRISES.

Monday, May 22, 2023

68-110 : (Ponderosa X New Moon) or the summit of the art

By Sylvain Ruaud

A perfume creator first imagines a new fragrance and then gathers the ingredients he will use. Next, he formulates the subtle mixtures that will constitute his latest creation. When creating new irises, hybridizer Joe Ghio must proceed similarly. 

No doubt he has in his head - but also in his documentation - all the elements of a formidable "gene pool" gathered over his long career in iris hybridizing. Joe knows what each piece can bring, and he visualizes what he hopes to obtain from each cross. No doubt he sometimes fails, for nature preserves its mysteries and knows how to mete out its surprises. But these failures are obviously not known to us. We only see, with admiration, the successes that a hybridizer achieves. Each year there are a handful of them, which makes the gardener in each of us ecstatic. Practiced with such mastery, hybridization is no longer the exercise of curiosity or leisure but the expression of applied science.

Among all the vials that this alchemist manipulates, there is one that appears many times in the complex pedigrees that often accompany the descriptions of his novelties: it is (Ponderosa X New Moon). In Joe Ghio's crypto-catalog, it appears with numbers 68-110. It is divided into many "bottles" identified by a distinctive letter, and there must be at least twenty of them, each corresponding to a plant whose colors and characteristics are known only to its breeder (and perhaps to a few friendly insiders).

Let's get to know each of the elements of this mystical cross.

'Ponderosa'
Photo by Joe Ghio

'Ponderosa' (Ghio, 1970) = (Denver Mint X Moon River) is a flower that does not necessarily attract attention. It is described as "petals pinkish brown; sepals a mixture of brown, purple and red; beards yellowish brown." Ghio would tell us the qualities he finds in it because he is confident it must not lack any! He crossed it with many varieties, very varied in appearance but mainly in shades of yellow or apricot: 'Travel On,' 'Gracie Pfost' (the only one that is red), 'Debby Rairdon,' 'Honey Rae,' 'Orange Chariot,' 'Ghost Story,' 'Saffron Robe,' 'Peace Offering,' and 'Opening Round'.


'New Moon'
Photo by Heather Haley

'New Moon' (Sexton, 1968) = (Moon River X New Frontier) is universally known. It is a bright yellow from yellow and pink. "Unicolor lemon yellow, lemon-yellow beards," describes the AIS checklist. It has been used extensively in hybridization in all parts of the world for many years. Joe Ghio was one of those who used it the most over several generations.

The cross (Ponderosa X New Moon) is one of the essential elements of Joe Ghio's palette. It is found in several combinations, of which the following one, which has been used very frequently and which is listed, if I am not mistaken, under the number 71-147P : ((((Commentary x Claudia Rene) x Claudia Rene) x Ponderosa) x (Ponderosa x New Moon)). Here is a variety whose genealogy extends over four generations. We notice a first crossing at the beginning: (Commentary x Claudia Rene). Then the product of this crossing is crossed again with 'Claudia Rene.' In the next generation, a new element is added; this time, it is 'Ponderosa'. Finally, the product of this last crossing is paired with an unnamed variety but noted under the number 68-110 and written (Ponderosa x New Moon). 

This kind of combination, which becomes more complicated with time, is classic for Joe Ghio because, to use our example, 71-147P was later married several times. This is how one thing leads to another; we arrive at 88-129R2, where we reach the eleventh generation since our 68-110, twenty years earlier. And since 1988, a lot has happened, and there have been many crosses!

Over the years, the pedigrees become longer and more complex because Ghio does not bother to register - and therefore to name - all the seedlings he finds exciting and keeps. Where some registrants are satisfied providing two names joined by an X, Ghio lists the different components of each member of the cross, sometimes in the form of a simple seedling number, sometimes with the designation of the varieties used. Is this a strategy? 

Indeed, not describing (nor photographing) a seedling preserves to this one a part of the mystery, which is voluntary. It is a way to keep a secret of manufacture! This also has the advantage of detailing the path of the breeder toward the registered variety. On the other hand, it has the disadvantage of giving a long list, not easy to decipher. And it is at this point that we realize the finesse of Joe Ghio's work: we follow the evolution of his thought, we note the touches of this or that color or this or that horticultural quality added (or subtracted) to reach the goal he has set.

It is the work of a great man. Only a few can master many parameters, maybe three or four. If we can compare them to great perfumers, we could draw a parallel with composers like Mozart, Wagner, or Mahler. At this degree of perfection, hybridization is no longer a game but an exceptional science and art.

Thursday, August 25, 2022

The American Iris Society Announces the 2022 Mitchell Medal Winner

'GOING BANANAS'

The Mitchell Medal is restricted to Pacific Coast Native (PCN) irises. It is named in honor of Sydney B. Mitchell (1878-1951). Professor Sydney Mitchell was an educator. He became Acting Librarian at the University of California during WW I, and later founded and became first director of the Graduate School of Librarianship at that university. He was also one of the organizers of the American Iris Society.

Tom Craig wrote this of him: "Sydney looked upon plant breeding as a long term international effort in which individuals from all over the world should co-operate and add generation after generation to a real human achievement. He made me feel a real part of this and more particularly a part of a special work started by William Mohr and carried on by himself. Sydney generously gave flowers and plants of seedling for further encouragement with this work."

Mitchell was also interested in the native irises of the West Coast, and promoted them at every opportunity. He took great pride in the plantings of PCNs in his own garden. He had a large collection of various forms of Iris innominata and I. douglasiana

Previous award winners can be found at https://wiki.irises.org/Main/InfoAwards.

Beautiful Pacific coast iris hybrid 'Going Bananas' with yellow (gold) coloring and a white dime signal.
'Going Bananas'
photo by Mike Unser

'Going Bananas' (Joseph Ghio, R. 2010) Seedling #JP-121Z. CA, 12" (30 cm). Early thru late bloom. Gold self, creamy white dime signal. Seedling #HP-152R2: (seedling #FP-273U2: (seedling #DP-260N2, 'Coin Of The Realm' pod parent, x seedling #DP-250, 'Marriage Proposal' sibling) x 'Bowl Of Fluff') X seedling #HP-125X2, 'Cashing In' sibling. Introduced by Bay View Gardens in 2010.

The World of Irises blog will be posting classification medal winners as soon as the hybridizers are notified. The entire list of winners, including Award of Merit and Honorable Mention, will be published on the AIS website, the AIS Encyclopedia, and later in the AIS Bulletin, IRISES.

Wednesday, August 17, 2022

The American Iris Society Announces the 2022 Knowlton Medal Winner

'BOY GENIUS'

The Knowlton Medal is restricted to border bearded (BB) irises. It is named in honor of Harold W. Knowlton (1888-1968) of Auburndale, Massachusetts, a tireless promoter of the border bearded class of irises. Bennett Jones wrote in The World of Irises: "Harold Knowlton was among the first to make deliberate selections of smaller plants. Two of his 1950 introductions, ‘Pearl Cup’ ... and ‘Cricket’... display the desirable features we still seek in modern border irises." Previous awards winners can be found at https://wiki.irises.org/Main/InfoAwards.


'BOY GENIUS' 
photo by Jeanette Graham

 'Boy Genius' (Joseph Ghio, R. 2011) Seedling #04-44B. BB, 25" (64 cm), Very early to early bloom. Standards gold, black tint at midrib; falls almost solid mahogany black, gold dotting around beards, gold hairline edge; beards gold. Seedling 02-160: (seedling 00-98B: ('Feelings' x seedling U97-F, unknown) x 'High Master') X seedling 02-317Q: ('High Master' x seedling 00-98B). Introduced by Bay View Gardens in 2012.

The World of Irises blog will be posting classification medal winners as soon as the hybridizers are notified. The entire list of winners, including Award of Merit and Honorable Mention, will be published on the AIS website, the AIS Encyclopedia, and later in the AIS Bulletin, IRISES.

Monday, November 8, 2021

2021 IRIS BLOOM SEASON: MISSOURI, OREGON and TENNESSEE

By Phil Williams

Early this spring, Bryce Williamson asked if I would be willing to report on bloom season during my limited iris travels.  The request was difficult to refuse. Bryce dedicates many hours each week to supporting the American Iris Society as an admin for the Iris Lovers group on Facebook.

I have been purchasing and planting tall bearded irises since 1962 and joined the American Iris Society in 1966. Fifty-nine YEARS is a long time to live with an iris garden.  The only year in that span that I did not add new varieties was in 1971; the years before and since I have been a happy devotee to the GENUS IRIS.

The tall bearded season here lasted over 6 weeks – one of the longest seasons I can remember. Light frost, some cooler temperatures, cloudy days and very little moisture made for one happy iris grower!

A 14 hour round-trip to Missouri (over the Ozark Mountains in both directions) took me to the gardens of Barbara Nicodemus, Will Warner, and Peggy and Robert Koch. Iris friends create special friendships. The garden of Russell and Jill Watson is nearby (less than 4 hours round-trip) and I always enjoy my visit with them in their wonderful garden.  The trip to Oregon took me to Schreiner's, Roger and Lynda Miller's,  Mid America, Keith Keppel, and Robin Shadlow. This report covers nine gardens in 10 days away from home during bloom season! 

As I tried to condense my garden notes into one article, I finally decided on alpha-order by variety name. It will also make it easier for readers who are interested in how varieties preform in a different location. If a variety looked great many miles away and but was struggling where I live in Tennessee, it is not included in this report.

The following are my picks for the star performers of the 2021 iris bloom season. I chose not to include brand-new introductions as I have not had opportunities to observe them growing outside their home garden.


‘AIR TIME’ (Lynda Miller, 2018) A lovely soft blue-pink with beards that are coral pink in the throat which, dark purple at the tip and extend into a softer violet flounce. A star in Tennessee as well as in Oregon.


‘AMAZON QUEEN’ (Lynda Miller, 2018) Orchid standards and style arms have yellow midribs and edging; white falls blend to orchid at edges and dark orange beards. Remained in bloom for an extended period here.



‘BLIND AMBITION’ (Keppel, 2016) Mid yellow standards pale in the center; oyster white falls with narrow yellow edging; dark sulphur yellow on hafts and
 beards are brushed blue.

‘BLONDIE'S BLUSH’ (Sutton, 2013) Always a standout here! Pale cream, standards strongly flushed salmon with orange-buff edges; ruffled white falls have narrow orange-buff edging blending to salmon; bright orange beards! Beautifully ruffled, tatting on petal edges and very fragrant.


‘BREEZIN’ (Schreiners, 2018) Snowy white standards; bright burgundy red falls have clean white edging; orange beards. I particularly enjoy the way the individual flowers are perched on the branches in less than level positioning. It gives personality and movement that I find an exceptional trait in the garden!


‘CANEEL SUNSET’ (Kent Pfeiffer, 2020) I always brag on this deep, intense orange flower with incredible substance. There is non other like it. It is not gigantic and there is pink flushing around the tangerine-orange beards with heavy ruffling and delightful spicy fragrance. The plants are tough as nails – which is a requirement is you are born in the Midwest! My pet.


‘DESCHUTES’ (Schreiners, 2018) A shade of blue that you will find only in children of the Schreiner blues! Wide, crisp flowers with heavy substance on strong stalks. The falls are a bit darker than the standards and the blue-white beards are dusted yellow. It's mother is “Dodger Blue” and has gifted this iris with magnificent foliage!


‘FLIRTATIOUS GAL’ (Nicodemus, 2016) A fabulous perennial with very strong stalks displaying the flowers to perfection! Golden peach standards with lighter styles arms and crests. The falls are white, edged in peach with deeper golden peach on shoulders; beards are blended in all three colors. Indestructible plants and a very long season of bloom.


‘FRUIT SLICES’ (Lynda Miller, 2019) The standards are a soft orange-apricot blend with wine tinting on midribs; apricot-orange style arms have watermelon midribs. The falls are toasted watermelon, softly washed orchid with bright tangerine beards. This pretty lady flaunts what would seem to be pastel loveliness.... but when the sun shines through it! Yum! 



‘GILDED GIRL’ (Nancy Price, 2014) has large flowers on very, very strong plants. The stalks are strong and are loaded with buds. White standards have golden wire rims; golden yellow styles arms.  Falls are white with golden yellow overlay; deep yellow beards. Large, wide, very ruffled flowers are admired across the garden revealing hints of  green and biscuit tan. Indestructible plants!


‘HUGS AND KISSES’ (Paul Black, 2016) A cream-white flower. The standards have a peach base and the style arms peach. Warm white falls have peach on the hafts and matching veining beside orange beards. Under 36” here and does not have huge flowers, but it is a color blend like no other!



‘I'M SMITTEN’ (Barry Blyth, 2018)  Creamy pink standards are flushed orchid through the midribs; paler soft creamy pink falls have rose wash at hafts extending beside white beards that are brushed tangerine in throat. Pastel loveliness that is very difficult to describe, clearly flashing its very wide form gifted from her mother 'Magical'.




‘INSANIAC’ (Tom Johnson, 2012) White falls have very narrow golden halos; white style arms.  White falls have red-violet lines radiating out to wide rimmed yellow-white borders; bright tangerine beards. Do not be fooled! This lovely lady is as full of mischief as she can be!




‘IRISH BLIZZARD’ (Barbara Nicodemus, 2018) Pure, snowy white! Perfectly formed flowers are held on upright stalks with not-so-wide branching … and the stalks do not get tangled in a clump like so many modern hybrids! The crisp white falls have pale green veining. It opens only one flower at a time and the effect is one of dancing ladies on a music box.  Semi-flaring, lightly-laced flowers have some green veining. Plants that hustle ..but they are not invasive. This pure white screams across the garden in strong contrast to all the colors around her!


‘JUST BEFORE SUNRISE’ (Barbara Nicodemus, 2017)  Dark, mysterious, bold and fascinating! Very rounded flowers have smoky lavender standards flushed golden tan with purple veining; style arms are smoky lavender with yellow-tan crests. Falls are velvety royal purple, edged lighter, with yellow/sienna beards and stately ruffles. Very intense, dark, and stands out from across the garden. Tough plants with clean, wide foliage and strong growth habits.


‘LASH OUT’ (Paul Black, 2019) Difficult to describe, all petals are a blend of gold, amber, lilac, amber-red, lavender and orange. Not fairly tested here yet but I am hoping next year it performs like it did in Oregon this spring!


‘MAGICAL’ (Joe Ghio, 2008)  This has been around for a long time. It grows a bit slower than many modern varieties but it can remain undisturbed in a clump for an extended time. The foliage is not as wide and upright as I would prefer, but the wide, elegant, form is being passed on to its children with some very exciting new varieties from Mike Sutton. When our familiar soggy bloom season turns sunny and warm, she is a star performer!


‘MORE THAN RUFFLES’ (Paul Black, 2020) Standards are slate-mauve; style arms are light tan-peach. Falls are mid-violet with texture veins, soft khaki hafts and narrow lighter fall bands; dark orange beards. So very colorful!


‘MYSTIC ART’ (Tom Johnson, 2019) Full, smooth, medium pink standards; falls are rose to lavender-pink with softer pink edges. Beards are purple shading to mauve and orange at tips.  (This combination of colors gets my attention and I keep hoping to see an equally perfect flower some day with deep, purple-mauve falls displaying a fiery orange beard!) I am happy to be growing this fine iris variety in my garden!


‘NEW IMAGE’ (Barbara Nicodemus, 2018)  Crisp, upright, deep peach standards have orange highlights; styles are deeper peach with frilled orange crests. Candlelight falls have soft mint-yellow veining that deepen toward the wide, peach fall rims; midribs and back of falls are green. Very ruffled, well branched, tall, strong and indestructible.


‘PAINTED LOVE’ (Tom Johnson, 2016) Mid-gold standards are blushed red-violet; styles are buff tan.  Wide falls are blue-violet with yellow-orange beards! Another clean, smooth, well formed and striking bi-color from Thomas that makes me smile! 


‘QUE SERA SERA’ (Tom Johnson, 2020) Lovely, soft yellow flowers are infused pink; light lemon style arms. Lavender and rose blended falls have deeper texture veins and a ruffled and laced band of yellow; orange beards. A gorgeous pastel!


‘SENOR JINX’ (Schreiners, 2018) Looking for the darkest, smoothest, nearly black iris yet? Oh my word! It is very dark. It has yellow beards. The petals are wide and it is a giant step forward in “black” irises! The stalks are strong and well branched. The foliage is tinted blue with clean foliage. The photo in the Schreiner catalog is EXACTLY what the flower looks like. In the garden the effect is truly BLACK with very good form! It is a treasure!


‘SMOKY DUSK’ (Kieth Keppel, 2017) Standards and style arms are described as nightshade; the falls are grape with a small circle of white around dark lime-yellow beards. The name is an apt description. Very rounded form. Great garden color!  I am hoping the falls recurved here this year because of my cultural imperfections!


‘SULTRY ATTIRE’ (Barbara Nicodemus, 2016) Deep rose-orchid flowers are heavily infused violet, edged and feathered in tan-cinnamon. Matching style arms have copper crests. Falls are deep burgundy-brown  with tiny veining around bold burnt sienna-brass beards. Fabulous plants, excellent stalks and good bud count.


SUNNY GLITTER’ (Schreiner, 2019)  Standards are pale chartreuse yellow. Falls are slightly darker and surrounded by wisteria purple wash; yellow beards and fragrance aplenty. The colors are not bold, but from a distance the yellow shines through and it is a color I cannot recall seeing in the iris garden before. Good growth habits and a heavy bloomer with good bud count.


SUNNY SEAS’ (Lynda Miller, 2019) Bright yellow standards and style arms. Lavender falls are edged and washed buff; yellow hafts. The beards are orange in the throat and midsection and end in small, lavender “hooks” instead of elongated horns! So happy that Lynda is working with the horned, spooned and flounced varieties; she is doing a great job. Her new creations have quality flower form and plants that grow well.


‘SWIVEL HIPS’ (Tom Johnson, 2016) Smoky pink standards are heavily infused royal purple. Very wide, ruffled, velvety royal purple falls are ruffled with lighter banding and smoky pink beards. Good plant habits.


‘TEN CARAT DIAMOND’ (Gary Slagle, 2013)  A magnificent creation! Creamy white standards are soft yellow at midrib; falls are creamy white with soft yellow fall reverse; white beards are tipped yellow. This is not just another white iris.  This is a magnificent creation! Very wide, crisp, clean with tough and durable flowers. The plant increase is just right—you can leave it in a clump for 4 years without any decrease in quality. The foliage is crisp, wide and erect. The stalks are ramrod thick, perfectly branched and the flowers have amazing substance. The flowers remain open a full three days--many times for four days if there is no pounding rainfall. It has been a star here for three straight years! Keep your eyes open for new seedlings from Gary. (His Facebook nickname is “Fanatic”!)


‘VANITY GIRL’ (Tom Johnson, 2016) Standards are a lovely, smooth medium pink; the falls are white with matching pink hafts, brushed paler pink at edges.  Beards are white, brushed coral, and pale lavender at tips. (It's Mom is ‘VENITA FAYE’, that outstanding soft pink from Keith Keppel in 2008.) Venita should be very proud of this tough garden iris that never disappoints!


‘WINTER HAVEN’ (Anton Mego, 2020) Mike Sutton is rendering iris growers a great service in many ways … in this scenario, we would never see Anton's fabulous creations were it not for all the work and effort Mike puts into getting his creations grown, selected and introduced to the gardening public. This flower has white standards with green veining and midribs; the style arms are white.  The ice white falls have violet-blue haft marks around the orange beards with red-violet haft markings in the throat. It grows like a champ, the flowers are wide and with outstanding substance; the stalks are strong and robust.  So unique and very, very close to perfect. 

There you have it …. a very fine iris season in 2021.  Very fine, indeed!

Friday, August 27, 2021

The American Iris Society Announces the 2021 Mitchell Medal Winners

'LINE DRAWING' and 'CORRALITOS CREEK'

The Mitchel Medal is restricted to Pacific Coast Native (PCN) irises. It is named in honor of Sydney B. Mitchell (1878-1951). Prof. Sydney Mitchell was an educator. He became Acting Librarian at the University of California during WW I, and later founded and became first director of the Graduate School of Librarianship at that university. He was also one of the organizers of the American Iris Society.

Tom Craig wrote this of him: "Sydney looked upon plant breeding as a long term international effort in which individuals from all over the world should co-operate and add generation after generation to a real human achievement. He made me feel a real part of this and more particularly a part of a special work started by William Mohr and carried on by himself. Sydney generously gave flowers and plants of seedling for further encouragement with this work."

Mitchell was also interested in the native irises of the West Coast, and promoted them at every opportunity. He took great pride in the plantings of PCNs in his own garden. He had a large collection of various forms of I. innominata and I. douglasiana

Editor’s Note: Due to the pandemic last year, the American Iris Society Board of Directors suspended garden awards. As a result, and for only this year, two medals will be award in this area. Previous awards winners can be found at https://wiki.irises.org/Main/InfoAwards.

‘Line Drawing’

'Line Drawing' (Joseph Ghio, R. 2009). Seedling #IP-159S2. CA, 14" (36 cm). Midseason bloom. Standards white ground lined dark blue; style arms deep blue; falls white ground, dark blue lines overall, intense blue stitched edge, green-gold dotted signal. 'Like Clockwork' X seedling #FP-265U, 'Foggy Days' sibling. Bay View 2009.

 

‘Corralitos Creek’

'Corralitos Creek' (Joseph Ghio, R. 2013) Seedling #MP-163A4. CA, 14" (36 cm). Late midseason bloom. Standards white, slight blue at distal edge; style arms dark blue; falls white, blue line radiates from signal to deep blue edge, deep blue halo signal. Seedling #KP-155L: ('Da Vinci Code' x seedling #IP-156S3: ('Foggy Days' x seedling #GP-404K3: ('Bar Code' x seedling #EP-153C2: ('Ocean Blue' x 'Star of Evening')))) X seedling #KP-154, 'Costanoa' sibling. Bay View 2013.

The World of Irises blog will be posting classification medal winners as soon as the hybridizers are notified. The entire list of winners, including award of merit and honorable mention, will be published in the AIS website, the AIS Encyclopedia, and later in the AIS Bulletin, IRISES.

Friday, August 23, 2019

2019 Sydney B. Mitchell Medal

The American Iris Society
Announces
The Sydney B. Mitchell Medal 2019
‘Da Vinci Code’

'Da Vinci Code'--image by Leonine Iris

'Da Vinci Code' (Joseph Ghio, R. 2010) Seedling #IP-159E3. CA, 12" (30 cm). Late midseason bloom. Standards white veined blue on inside; falls white, blue across haft, dark blue veining to solid blue edge, blue signal. 'Like Clockwork' X seedling #FP-265U, 'Foggy Days' sibling. Bay View 2010.

This medal is restricted to Pacific Coast Native (PCN) irises. It is named in honor of Sydney B. Mitchell (1878-1951). Prof. Sydney Mitchell was an educator. He became Acting Librarian at the University of California during WW I, and later founded and became first director of the Graduate School of Librarianship at that university. He was also one of the organizers of the American Iris Society. Tom Craig wrote this of him: "Sydney looked upon plant breeding as a long term international effort in which individuals from all over the world should co-operate and add generation after generation to a real human achievement. He made me feel a real part of this and more particularly a part of a special work started by William Mohr and carried on by himself. Sydney generously gave flowers and plants of seedling for further encouragement with this work."

Mitchell was also interested in the native irises of the West Coast, and promoted them at every opportunity. He took great pride in the plantings of PCNs in his own garden. He had a large collection of various forms of I. innominata and I. douglasiana.

The World of Irises blog will be posting once a day all of the medal winners. The entire list of winners can be found at the AIS website, the AIS Encyclopedia and later in the AIS Bulletin, IRISES.

Monday, May 6, 2019

2019 AIS National Convention


By Bryce Williamson

On April 23-27, 2019, in the 99th year of The American Iris Society, Region 14, Northern California, Nevada, and Hawaii, hosted the National Convention at San Ramon, California. In addition to meetings and trainings, the event featured three days of garden tours. This post is a sample what we saw in the gardens.

The four tour buses were split two and two and I ended up at the Horton Iris Garden Thursday morning. The weather had not cooperated with plans since it had been in the 90s, but there was still much to see. I really tried to find a weed in Mary Ann’s garden, but I did not succeed and that is no small accomplishment in a garden spread over acres of rolling landscape. It was here also that we had an early lunch after the bus start time of 7 AM. Special praise is need for the Sierra Foothills Iris Society who had provided a lavish spread of snacks for the attendees, many of us pretending to be dying of thirst and starving after the two-hour trip to the garden.



'Sweet Child of Mine'--Larry Lauer
'Dressed in Black'--Leslie Painter
'Luminager'--Stout 2016
After lunch, we drove through the state capital, Sacramento, to Elk Grove and Fran and Russ Shields’s Frannie’s Iris Garden. There seemed to have been a spirited competition between local iris societies because the Sacramento Iris Society had matched the lavish spread of snacks and cold drinks were especially welcome in the 90-degree heat. Of special interest was the Dykes Medal winner bed, gaving me the chance to renew acquaintance with famous irises some that I had not seen in 50 years.


Black Cherry Sorbet' (MTB)--Harris
'Queen's Circle'--Fred Kerr

'Blue Rhythm'--Whiting, Dykes Medal 1950
Friday attendees experienced the capricious, mercurial nature of Northern California weather when we drove to Sonoma to Rudy Ciuca and Joe Lawrence’s C&L Vineyard and arrived on a cold, foggy morning. With only 22 acres of farmland, Joe and Rudy have lots of irises and lots of grapevines. That morning several us, including yours truly, provided an hour of judges’ training in the guest iris beds. Here we also had lunch and we able to enjoy the quiet of the countryside as the fog burned off and the day warmed.



'Better Than Butter'--Black
'Wingman'--Schreiners
Meininger 1-F (easy to miss the flounces)
In the afternoon, we had free time in the historic town of Sonoma. Famous as the last California Missions, Sonoma was also the site of the declaration of the short-lived California Republic. A small town, Sonoma is famed for its fine wineries, boutique shops, and excellent restaurants.

On the final day of tours, we had yet another 7 AM start, this time to Dry Creek Pioneer Regional Park, Union City. This is part of East Bay Regional Park system and they gave the gardener and park ranger Jeff Bennett permission plant a few irises on a ridge. I am not certain that they understood what they were getting; however, the park district has been amazingly supportive, providing the deer proof fencing for the plot, running a water line to the location, picking up the cost of materials, and, even, providing great signage for the convention. This planting of 800 guest irises and another 1000 named varieties is clearly a labor of love for Jeff Bennett. Local societies Clara B. Rees of San Jose, Sydney B. Mitchell of Oakland, and Mt. Diablo Iris Society all have pitched in to help. As one might expect, growing irises in virgin soil has wonderful results for the plants, though there was a little matter of an accumulation of years of weed seeds.



'Black Lipstick'--Keppel 2016
'What A Beauty' --Joe Ghio
Kelly TAFCS 12-13
The day after the tour by the iris society, the planting was opened to the public and the plan is to continue to add and improve this garden in the next years.

By lunch time, the famed fog had burnt off leaving us with a good view of San Francisco Bay to the west and we were told the famous Hayward earthquake fault was just a couple of hundred feet to the east.

After lunch we braved the weekend traffic and went over the Santa Cruz Mountains to Irene and Jim Cummins’s garden in Scotts Valley. Joe Ghio of Santa Cruz got them interested in irises and their garden is noteworthy for the integration of irises with other plant materials.



'Heat Is On'--Thomas Johnson
'Joy Returns'--Shadlow (rebloomer)
'Graffiti Art'--J. Painter 2016
Arriving back at the hotel, we had time to stop and rest before the evening awards banquet. The American honorary awards and garden awards voted by the judges were already known, so the highlight on the evening was the naming of the winners of the 5 cups from the garden visits.

The President’s Cup for best named variety from a Region 14 hybridizer was won by Rick Tasco of Superstition Iris Garden in Catheys Valley for his iris ‘Autumn Explosion’:
Image by Rick Tasco
The Franklin Cook Cup for best named variety from outside of Region 14 was won by Paul Black’s ‘Rise Like A Phoenix’:

The Ben R.  Hager Cup for best median was also won by Paul Black for IB ‘Black Comedy’. Paul Black’s irises are introduced by MidAmerica Iris Garden, Salem, Oregon:

The Lloyd Zurbrigg-Clarence Maham Seedling Cup went to Hooker Nichols’ 1978; Hooker Nichols' irises can be found at their garden website:
Image by Mikey Lango
Awarded for the first time in honor of Gerald Richardson, that award went to Irene and Jim Cummins for their use of irises in the whole garden:
Image by Mikey Lango