Monday, December 28, 2015

Understanding Louisiana Iris Part 5: Applying What We Learned to Modern Cultivars

                                                                    By Joseph Musacchia

    In previous blogs, we’ve examined traits of 4 of the 5 Louisiana iris species. Now we will look at how these attributes come into play in the modern cultivars. As you can see in the timeline below, collecting didn’t garner attention until around 1929 with Dr. John Small's discovery and promotion of Louisiana iris. It wasn’t until the 1950’s that growers began dabbling in hybridizing in earnest. Until that time, most Louisiana hybrids were either collected or grown from collected seedpods.

History Timeline
  'Black Widow', a 1953 introduction grown from collected seeds, won the Mary Swords DeBaillon Award in 1968. Although the parents are not known, from growing this cultivar for many years, I believe it to be mostly I. fulva with some I. giganticaerulea. When used in hybridizing, the seedlings come out looking like I. fulva.

'Black Widow'
,MacMillan, W. 1953
'Almost Forgotten'
Musacchia J. 2014

   One of the first objectives of the early hybridizers was to extend the growing range of hybrids further north. Most of the natural hybrids at that time were collected I. giganticaerulea crosses, and did not fare well the further north you went. Mr. Frank Chowning of Arkansas was one of the first hybridizers to work on cold hardiness. Most of his hybrids involved crosses with I. brevicaulis. The characteristics of I. brevicaulis can be found in many of his hybrids, (shorter stalks, later bloom, blue coloring).

'Pristine Beauty'
Chowing 1955
'Black Gamecock'
Chowning 1978
'Red Echo'
Rowlan, 1983
   A short time later I. fulva was included in the breeding program, adding the colors red and yellow to the palette, as well as height to the plants.

'Heavenly Glow'
Morgan 1988

   And finally, with the inclusion of I. nelsonii, taller stalks, deeper reds, and the over-lapping form appeared. Below we have 'Ann Chowning', considered to be one of the first real red Louisianas.

'Amm Chowning'
Chowning 1976

  One of my own introductions, 'Pointe Aux Chenes', demonstrates the range of traits discussed here. It is a mixture of the four species mentioned. It grows well everywhere I have sent it, and has many qualities we look for in modern Louisiana cultivars: a stronger stalk, a fuller form, and cold hardiness, to name a few.

'Pointe Aux Chenes'
Musacchia 2005
   In future blogs, I’ll be discussing more LA iris traits and how to recognize them in modern hybrids, with the goal of better understanding the Louisiana iris.

                                    Happy New Year

Thursday, December 24, 2015

Seedlings in the Keppel Garden

Happy Holidays, Iris Lovers.  We have a special treat for you on Christmas eve:  a guest post by Ron Thoman, a writer, photographer, member and judge of the American Iris Society.  He is currently the Secretary of the justly famous Delaware Valley Iris Society and the Editor of the DVIS enewsletter.  If you have never seen the lovely gardens, the college grounds, and the iris photos visit for a real treat! ~ Renee Fraser

By Ron Thoman

When I attended the 2015 AIS National Convention in Portland, Oregon, I made sure to take the optional garden tour, which included the Keith Keppel Garden.  I had visited Keith’s garden twice when it was Stockton, California.  The last time was in 1986 when the AIS National Convention was in San Jose’, California.  A few years before that, I visited his garden when on a business trip to the Electric Power Research Institute in Palo Alto … when it just happen to be the iris season.  So it was with some excitement that I first glimpsed Keith’s current garden from the bus window.
It was past peak bloom for his tall bearded irises, but there were still many wonderful flowers to see.  The day was cloudy but bright, an ideal light for photography.

With only one and a half hours before the bus captains would blow their whistles, there was not enough time to properly evaluate seedlings.  However, I did see a lot of very interesting flowers.  The tall bearded irises pictured below may or may not be introduced since it takes much more that a pretty flower to make a worthy introduction.  Nevertheless, it is does show the hybridizing direction in which Keith is going with his tall bearded irises.  So let’s take a look.


This flower is a golden honey color with an ideal form. The tangerine beards provide perfect contrast as does the dark coloring at the base of the standards.


The iris world always has room for another pink. And this is a beautiful baby-ribbon blue pink, with nice form and ruffles.


This is a flower of nice form and proportion. Gray standards sit atop medium dark blue falls. The dusky beards echo the mood of the standards.


This is flower of earthen tones. The standards are a very special attraction with their dark mahogany color. The lavender blaze under the gold beards adds interest.


This is a blue amoena, in which it looks like the blue was brushed onto the falls leaving some of the white showing. The added attraction is the dual colored beards, the inner being a dark red orange and the outer being light blue.  The full flair provides a dynamic feel.  It reminds me of butterflies fluttering around the clump.


Now this one is really different.  I think of it as an ink-blue reverse amoena trimmed in gold.


This is one voluptuous flower.  The apricot standards are not timid, but are in good proportion with the lavender blue falls with the gray edges. The generous beards finish the look.


I have seen this color combination before.  But never have I seen it with such dark blue-purple standards.  The ruffled falls are a lovely shade of pink.  And the tangerine beards are an added attraction.


This flower has a unique color pattern with outrageous ruffles.  It illustrates that there are many different types of ruffles, and these are especially nice.  Let’s hope that the floppy standard is not typical.


True pink standards sit above royal purple falls with a delightful spray pattern surrounding the red-orange beards.  I am hopeful that the tucked fall is a rarity, since this is a no-no in tall bearded irises.


The yellow standards are in good contrast with the amazingly deep cobalt blue falls.  The brown edges and hafts of the falls add significant charm.


The standards are white.  The falls are purple, with the purple bleeding out onto the lighter colored border.   And the border seems to actually glow.  The red beards complete the look.


I was attracted by the saturation and clarity of the gold of the standards and the blue in the falls.  The tan edges of the falls make it even more appealing.  The beards pick up the color of the edges.


It is good to see that the  ”plicata man” is still working on plicatas.  With the plicata-type flower there seems to be an infinite possibility of colors and patterns.  Here I particularly like the lavender standards with darker purple veins.  It gives the impression of a fine filigree pattern.

The bus captains loaded us into the buses way too soon.  I could easily have used a couple more hours.  There were entire sections of the garden that I didn’t even see.  And I know there were many seedlings that I missed.
Of course, there were many other photographers busy in the garden.  If you are one of those photographers, we would like to hear from you.  In the blog spirit, won’t you submit some of your photos as comments to this article?

As I rode in the bus, I was satisfied that I finally was able to visit Keith Keppel’s Oregon garden.  Thank you, Keith.  

Monday, December 21, 2015

Working With Selfs-Reblooming Iris Program-Ky Zone 6

by Betty Wilkerson

Once again I've found an article to wrap around 'Summer Radiance.'  I'll never forget the first time I saw it bloom.  I was coming home from a Region 7 spring meeting.  The first stalk of what was to become 'Summer Radiance' was showing lots of bright yellow when I left for the meeting.  When I arrived back home, I dropped my suitcase on the back path and tore off down the hill to the bed by the pond.  I was thrilled with the blooms and have found more things to love about it in the 20 years since its introduction!

I was just as thrilled six weeks later when it put up a summer stalk.  That sealed its fate!  It would be with me forever! Twenty years after its introduction, I'm still using it in breeding.  I've done the research and know it does not produce plicatas.  A part of that research was growing nearly 200 seedlings from 'Summer Radiance' X 'All Revved Up.' Not a plicata in the bunch. This makes me happy, since I'm not fond of haft marks.

When breeding with pastels, this is one of my top contenders.  I can also use it when I want to inject some yellow into another line, with full understanding that I may get all kinds of rebloom, too.  I still want to turn the beard red, but I haven't decided what to use it with, yet.  'Summer Radiance' is from 'Lemon Reflection' X 'Hindenburg,' so it's only one step away from a red beard.  I would already have some results of breeding for red beards,  but I lost all of the seedlings from 2013. Maybe next spring.    

As 'Summer Radiance' grew in other climates, we discovered that it can fall or cycle bloom. It bloomed here in early July as repeat bloom.  Then, it bloomed early fall further north.  In Virginia, Mike Lockatell reports that it reblooms often and well, which is simply proof that you should never give up on a reblooming iris.  

When crossed with 'Radiant Bliss,' it gave 'Summer Honey' which can bloom from spring through fall frost. So, all told, 'Summer Radiance' is a pretty special reblooming iris.  It has probably taught me more about rebloom than any of my other seedlings.  

Hope your new year is filled with many gorgeous iris blooms.  Merry Christmas to all.  To all good iris dreams!

Monday, December 14, 2015

Going Pink––Getting Brighter PCI Flowers

Kathleen Sayce

PCI 'Broadleigh Rose', R. 2006, Broadleigh Gardens
Rose to pink PCI flowers appear in nature from time to time. Debby Cole urged me to collect seeds from a wild I. tenax population along the Columbia River a decade ago; this population is notable for its cool pink flowers. 

'Broadleigh Rose' is a typical wild-type selection with rose pink flowers, a yellow signal, narrow petals and veining in darker pigments. 

But pinks have gotten bold in the garden, moving into modern forms with wider, ruffled petals and more intense colors. The following is a small selection of the variety of modern pinks. As with other reddish-hued flowers, the pink coloration is a balance between cool blues/lavenders/purples in the intracellular fluid and warm tones (yellows/oranges) inside plastids in each cell. 

PCI 'Altar Boy' R. 1998, Joe Ghio

'Altar Boy' is a light pink, near flesh-toned flower with a dark signal and some veining. Petals are broad, and the two-toned color of the falls is very pleasing. 

PCI 'Erika Denise' R.2005 by Vernon Wood 

PCI 'Erika Denise' has intense veining on a light pink background. The darker signal band sets off the pink background, and the contrasting style arms and standards add to a nice complexity. 

PCI 'Marriage Proposal'R. 2006 , Joe Ghio
With more intensely pink petals, 'Marriage Proposal', another Ghio hybrid, has with even wider falls and standards, and intensely dark signals on falls. Ruffling pale edges and lighter center streak add complexity to this flower. 

PCI 'English Rose' R. 2002, Joe Ghio 
Hybrids that move towards solid colors include this one, with petals almost all the same color, and yet, being PCI, there are veins and central petal color variations leaning towards pale blues that lift this flower right out of the ordinary and into a lovely ethereal pink. Wide ruffled petals don't hold up well in wet spring areas, but this one is worth contriving a cover for during flowering. 

PCI 'Fallen Plums', R. 1990, John Marchant 
PCI 'Fallen Plums' edges towards purple, and displays a lovely intensity of color on the falls between the base color, darker veins, light signal and lighter rims. Moderate ruffling means this flower holds up well in wetter spring climates. 

And then we move off into dramatic contrasts between pink and yellow, pinker and orange  . . .

PCI 'Blazing Speed' R. 2008, Duane Meek
Initially the contrast seems almost innocuous, some dark rose veins on a lighter fall, a nicely yellow signal, a small yellow slash. 

PCI 'Rainbow Connection' R. 1994, Joe Ghio 

But these are PCIs, and so the contrast continues:  more veins, lighter background on falls, darker halo on signal, more intensity of color on standards. 

PCI 'On the Bubble' R. 2005, Joe Ghio

And more:  wider, darker, more ruffles, more veining. More contrast. 

And  . . . 

PCI 'Star of Wonder', R. 2002, Joe Gio

Over-the-top gaudy, with PCI 'On the Bubble', raspberry red edges and veins, darker halo on signal, and yellow gleaming through on the falls. 

And yet the effect is still pink, albeit a hot luscious pink with neon-bright color contrasts, like a brilliantly-colored shaved ice confection on a hot summer day. 

Monday, December 7, 2015



'Stairway To Heaven' (Larry Lauer, 1992)

I know there have been others who posted articles about blue irises but I would like to have my chance to sing their praises.  I am hoping you will be tempted to plant a few if your garden is lacking blue.  

Over the last 30+ years my color tastes have changed almost every year.  One of the first years I started ordering I was drawn to the rusty orangey brown irises like 'Carnival Time', 'Copper Classic', 'Brindisi', 'Starburst', 'Astro Flash', and 'Copper Mountain'. One year I was drawn to blacks, some years I concentrated on Dykes Medal winners.  For a while I saw blues in the catalogs and it was as if they stood out more intensely than the other irises.  Some years the pinks and reds look tempting to me.  The last two years I've been attracted by the blues again and have placed orders with several companies who have offered them.  Here for your viewing are some of my favorites, but by no means all of them. I have many irises that are from different decades because we have been growing them for such a long time.  You will find that some of my blues are *historics and others are more modern.  

 'Silverado' ( Schreiner, 1986) 
This iris has perfect form as far as I am concerned.  In some light it looks almost white but it is a pale blue.  It grows well for us here and needs little or no care except it has to be divided often because it grows so well.
 'Babbling Brook' (Keith Keppel, 1965)
This 50 year old iris is such a stand-out in the garden.  It has very clear, clean blue color and photographs pretty true to color in my opinion.  

'Praise The Lord' (J. Boushay, 1971) 
The contrast between the deep blue and the white beard is striking.  Even without ruffles and lacing it is simply elegant.  

'Honky Tonk Blues' (Schreiner, 1988)
One of my top 5 blues.  I love the fading and the *reverse *bitone coloring.  

'Blutique' ( Virginia Messick, 1998)
Even though this one was included in my *broken color blog it is still also one of my favorite blues.  If you are a little timid to grow broken color start with this one.  Having just two colors it isn't as bold as some of the others.  

'Grecian Skies' (Opal Brown, 1984)
A friend gave it to me as a piece of rhizome a little bigger than a dime. I was sure it wouldn't grow and if it did I would misplace it.  We put a stake by it so we wouldn't hoe it out with the weeds.  It bloomed the second year and here is the bloom. Thank you, friend, for sharing it.  

'Skywalker' (Schreiner, 1996) 
The beautiful shading on it reminds me of 'Honky Tonk Blues' but 'Skywalker' is a lighter, more delicate blue.  As you can see it stands out in the garden.  The darker blue behind it is 'Sheer Bliss'. 

'Blue Crusader' (Schreiner, 1998) 
This was a substitute that Schreiner's sent me because they couldn't send 'Bleinheim Royal'.  I was disappointed until I saw this one bloom.  This is a beautiful, true *self where even the beard is blue.  

'Sea Power' (Keith Keppel, 1998) 
I love the color and all the ruffles.  

'Full Tide' (Opal Brown, 1972)
This 43 year old iris is still one of my favorites.  Perhaps it acts as straight man to the other more flamboyant irises.  Simply pretty!

'Adriatic Waves' (Keith Keppel, 2009)
This is one of my newer blues.  It is described in the Iris Wiki as having standards of cornflower blue, falls of violet blue shading to steeplechase blue. This picture, as all others in this blog, was taken in our garden by me.  

'Captain's Choice' (Schreiner, 2009)
This is a very dramatic iris. It can be classified as an *amoena or a *neglecta. 

I have several new ones that I don't have pictures for. 
They are 'Dangerous Mood', 'Baltic Sea', 'Water Waltz', 'Wake Water', 'Blueberry Bliss' and 'Grecian Sea'.  I would like to show those another time. 

Have you planted blues?  What do you like to pair them with?  I would love to hear from you.   

* historic are those irises 30 years old or older
* reverse are those irises that the standards are a darker shade than the falls
*broken color are those iris that have random splashes of color
*self is an iris of uniform color
*amoena is a iris that has colored falls and white standards
*neglecta is an iris that is a blue or violet bitone
* bitones are those irises that have 2 tones of the same color

Monday, November 30, 2015

Understanding Iris Descriptions

by Tom Waters

If you've spent some time looking for information about particular irises, you've probably encountered something like this, which I've copied from the American Iris Society (AIS) online Iris Encyclopedia:
'Montmartre' Keith Keppel, R. 2007). Seedling 01-49B. TB, 33" (84 cm), Early thru midseason bloom. Standards greyed red-purple (M&P 45-J-5), 1/4" straw yellow (10-F-2) edge; style arms straw to reed yellow (10-I-1), midrib flushed red purple; Falls velvety dark red purple, darker and brighter than raisin purple (54-B-12), narrow oyster white (10-B-1) edge, inner haft lemon (9-L-2), white around beard; beards chrome yellow (9-L-7), white and lemon at end. 99-61A: (96-11D, sibling to 'Moonlit Water' x 'New Leaf') X 'High Master'. Keppel 2008. Honorable Mention 2010, Award of Merit 2012Wister Medal 2014.
Most of this text is from the official description of the variety as published by the AIS. The information is presented in a standardized order and format. Even unofficial descriptions, as you might find in catalogs or other publications, tend to follow this format to some extent, although usually somewhat simplified.

This is a rather intimidating mass of text for the novice iris enthusiast to process. In this post, I will step through it all one piece at a time, explaining what it all means and sharing some interesting background information along the way.

The first portion is this: "'Montmartre' Keith Keppel, R. 2007)." 'Montmartre' is the name of the iris; Keith Keppel is the person who created it, and 2007 is the year it was registered ("R.") with the AIS.

Registration is the process by which a new iris is assigned a unique name. Why is this necessary? Can't the person who breeds a new iris just call it whatever he or she feels like? That was essentially the state of affairs in the nineteenth century, when nursery businesses devoted to ornamental plants were coming into their own. The result was a great deal of confusion. Different plants were being sold under the same name, and some plants were being sold under more than one name. Furthermore, plants were sometimes given names that looked like botanical names but were not. The bring order out of chaos, an international system for naming cultivated plants was created. This is the International Code of Nomenclature for Cultivated Plants (ICNCP). The code includes rules about what form a name may take (it can't look like a botanical species name, for example, cannot be excessively long, or be just a descriptive word like "yellow"). For many types of ornamental plants, the ICNCP rules are implemented through a designated International Cultivar Registration Authority. For all irises except those that grow from bulbs, the registration authority is the AIS. So it is the role of the AIS to ensure that new irises are named according to the rules, and that each name is officially assigned to a single particular cultivar.

(The world "cultivar", coined from the phrase "cultivated variety", is the technically correct term for a unique plant. Although the term "variety" is often used, that word has a different meaning to botanists.)

Cultivar names are enclosed in single quotes, according to the ICNCP. There was an older practice of printing iris cultivar names in capitals, which you may still encounter from time to time.

So 'Montmartre' was registered with the AIS by Keith Keppel, the hybridizer who created it, in 2007. The person who registers an iris is usually the hybridizer who made the cross that produced it, but this is not always the case. One can register a particular or distinctive form of an iris species found in the wild or raised from collected seed with no deliberate cross-pollination involved. In this case, the person who registers the cultivar is just the person who has grown the plant and decided it should be named. It also sometimes happens that one person selects the plant to be registered, even though the cross that produced it was made by someone else. For example, 'Brown Lasso' resulted from a cross made by Gene Buckles, whose seedlings were passed on to David Niswonger when he died. So it was Niswonger who registered 'Brown Lasso' on behalf of the deceased hybridizer. The registration for this iris reads as follows:
'Brown Lasso' ( Eugene Buckles by David Niswonger, selector. R. 1972).
There is no requirement that the person who made the original cross be acknowledged in this fashion, but it is a commonly observed courtesy. 

It also sometimes happens that an iris has been in circulation for many years, without ever being registered, and an iris society or knowledgeable individual may step in and register it, so that its name can be officially recorded with a proper description.

I sometimes encounter people who are under the impression that registration somehow implies that the iris is deemed worthy by the AIS, or "approved" to be sold. This is not the case. The AIS does not make any judgment on the merits of the cultivars that are registered. The sole purpose of registration is simply to officially assign a name to a cultivar.

The next part of the description of 'Montmartre' is
Seedling 01-49B. TB, 33" (84 cm), Early thru midseason bloom.
First comes the hybridizer's seedling number. Hybridizers usually raise so many seedlings that they use numbers to keep track of them until a few are selected to be named. There is no standard format for numbering seedlings; each hybridizer has his or her own system. Why is this number included in the official description? It seems superfluous once a name has been chosen. One reason is that the iris may have been used for breeding, and referred to by number in a pedigree, before being registered. It also helps people in the future interpret the hybridizer's breeding records. Furthermore, the iris may have been grown and seen under its seedling number, for example at an iris convention, and this lets everyone know that this new iris is the same one they admired (or detested) when they saw it earlier.

TB stands for "tall bearded". Each class of iris has its own abbreviation. Next follows the height in inches and centimeters. The height of an iris can vary considerably, even in one garden, and much more so if grown in different climates and soils. So the height figure is best taken with a grain of salt.

Next comes the season of bloom ("Early through midseason"). You may also see the bloom season expressed in abbreviations: E-M, in this example. Bloom season is not referred to calendar dates, because that changes enormously from one climate to another, and even from year to year. Rather, it is expressed relative to other irises of the same type. So in this case, we know that 'Montmartre' starts blooming somewhat earlier than most TBs and continues blooming into the middle of TB season. These designations are always relative to the type of iris involved, so a standard dwarf bearded (SDB) iris with midseason bloom means it blooms in the middle of SDB season, even though this may be a month or so before TBs bloom.

Next comes the color description, which is often the longest part. The standards (upper petals) are described first, followed by the falls (lower petals, which technically are sepals). In this particular description, you will notice alphanumeric codes being used to describe the colors. There are a number of different color charts published by various individuals and organizations to help identify colors more precisely than common language can do. In this case, the system being used is that of Maerz and Paul (note the "M&P" given the first time a code appears in the description). Other color systems often encountered are RHS (Royal Horticultural Society) and Ridgeway. If you have access to the specified published color chart, you can consult it to see precisely which colors are referred to in the description. There is an important caveat, though: colors can vary depending on soil and weather and the age of the bloom. So the precision implied by using a color chart is somewhat illusory.

The M&P color system used in this description also assigns English names to colors, and these are used in the description ("reed yellow", "raisin purple", and so on). These sometimes strike me as rather too fanciful to be useful without consulting the color chart, but they can convey some general distinctions. (I think we all have a sense of how straw yellow differs from lemon yellow, for example).

One is not required to use a published color chart when describing an iris, and many hybridizers do not. In recent years, the AIS has been collecting photographs along with the registration descriptions, which is a wonderful development. A picture is indeed worth a thousand words. A photograph is not required, however, just encouraged.

At the end of the description comes the parentage, or pedigree, of the iris. The pod parent is given first, then a large X, then the pollen parent. These may be named cultivars, or seedlings identified by number, parentage, or both. The parentage can sometimes be dauntingly complex if the hybridizer has been using their own seedlings for many generations.

Let's untangle this particular parentage, which is fairly easy as such things go. First look for the large X that separates the two parents. We can see right away that the pollen parent is 'High Master'. What about the pod parent? It is this:
99-61A: (96-11D, sibling to 'Moonlit Water' x 'New Leaf')
The pod parent is a seedling numbered 99-61A. (Since no other hybridizer is indicated, this is one of Keith Keppel's own seedlings.) That seedling's parentage is given inside the parentheses, after the colon. Its pollen parent is 'New Leaf' and its pod parent is another seedling, 96-11D, which we are told is a sibling to 'Moonlit Water'. So if we want to know that seedling's parentage, we can look in the description of 'Moonlit Water' (siblings have the same parentage, by definition.) Why refer to it that way? Why not just give its parentage? In this case, it is an enormous space saver. Look up the parentage of 'Moonlit Water' and you'll see what I mean!

Sometimes you will see a description that says "parentage unknown", or lists a pollen parent as unknown. When the pollen parent is unknown, it could be that the cross was made by insects, rather than the hybridizer. (These are often referred to as "bee pods".) This is not always the case, however. Particularly when the entire parentage is unknown, it is likely to be a case of an intentional cross with lost of confused records.

Following the parentage, we see "Keppel 2008". What is this? We already saw at the beginning that the iris was registered by Keppel in 2007. This last bit of information is the record of introduction. "Introduction" is short for "introduced into commerce" and refers to when and by whom the iris was first offered for sale to the public. In this case, Keith Keppel sells his irises himself, so we just see his name and the year 2008. It is rather common for an iris to be registered in one year and first offered for sale in the following year, although the gap can be longer, or an iris can be introduced the same year it is registered. If the iris were introduced by a commercial garden, it is the name of the garden that is used. For example, Mid-America Garden introduces irises bred by Paul Black and Thomas Johnson.

Why is introduction important? One reason is that where and when an iris is introduced determines its eligibility for AIS awards. (AIS awards are given only to cultivars introduced in North America, and the year of introduction determines when an iris becomes eligible for awards. The AIS does not recognize an iris as having been introduced until the person who registered it sends evidence of introduction to the registrar.

In fact, the year of introduction is so important that when an iris is referred to in text, the hybridizer and year of introduction are often given in parentheses following the name: 'Montmartre' (Keppel, 2008).

Can an iris be registered and not introduced? Indeed. Registration, remember, is just the official assignment of the name to the plant; it does not imply anything about whether the iris should or will be offered for sale. The hybridizer might lose the plant, decide not to sell it, or be unable to sell it for some reason.

Conversely, there are irises (mostly older ones) that have been introduced into commerce but never registered. The ICNCP is not a legally binding set of rules, nor does the AIS have any legal standing to require irises to be registered before they are sold (although an iris must be properly registered to be eligible for AIS awards). So there have been iris hybridizers (mostly in past eras, and mostly working outside the US) who did not bother with registering their creations before selling them.

Finally, at the very end, is a list of the awards the iris has received: in this case, Honorable Mention, Award of Merit, and the Wister Medal.

I hope this post has given some insight into the nuances and complexities of iris descriptions. If you have any questions, please ask in the comments below, and I will do my best to answer!