STARTING OVER

by Dawn Mumford

Part of the Mumford Iris Patch

I wrote a blog for this AIS blogspot September 26th, 2016 by using my right index finger on my Kindle Fire tablet. I used only one finger because both my arms were broken and I had a sling on each arm. I sat at the table and braced my right arm on the table and did the hunt and peck method because my right index finger was the only one strong enough to push on the keys.  This is the link if you want to read it.  A New Perspective.  A few blogs later I wrote my last blog until today.  It was written July 3rd, 2017.  Please read that if you want the whole story.  Here is the link, A Fond Farewell to Tall Bearded Irises.

I feel the need to update you on the things that happened after that last blog.  Our property and home that my husband and I built were put on the real estate market.  They sold in 2017.  With both my arms broken I needed to go somewhere to heal .  We stayed three weeks at one sons house with his family.  Neal and I then moved to a Senior Living cottage.  The kitchen staff brought three meals a day to our apartment.  That was necessary because of the arm slings and Neal's Alzheimer's disease.  Three months later we moved to another city where another son had purchased a home but wasn't going to move into it for another six months.  Then on his arrival we went back to the Senior Living Cottage.

It was now near Christmas time in 2017.  We celebrated as a family knowing that this would be Neal's last Christmas with us.  On Christmas Eve we celebrated the birth and life of Christ.  We took family pictures, had a wonderful dinner, and reenacted the nativity with the grandchildren acting out the parts of shepherds, angels, wise men, Mary and Joseph and the baby Jesus played by the youngest great grand baby. Neal's eyes reflected that fact that he was fully conscious for the first time in months.  He felt the love of his children, grandchildren, and one great grandchild surrounding him.  It was on Christmas Eve 4 hours after the family picture was taken that Neal passed away.  It actually was a peaceful season for that to happen. It was bitter sweet.  I had been his caregiver for seven years and he and I were both tired.

Wise men, baby Jesus, and shepherd boy

Now I was a widow after having been married for 49 years.  My dream home and property had been sold.  My irises were no more.  The hardest part of the irises is that the couple that bought our property didn't tell me until too late that their plans were to disc under all the irises.  (I can hear the collective groan as you are reading this)  It was, by then, too late in the year to move them.  We were expecting a hard frost any day.

This was the home and property that I had to sell. 

Willard Bay is the body of water to the west.  It was in northern Utah.  The boundaries of the 5.5 acres are in red and the dormant iris patch is in green.

I am still living in the senior living cottage while my son and I remodel a home next door to his home.  It has room for just a super small number of iris when I am ready to start over.  I plan on moving there some time in the next 6 months.  

That is the update and now it is time to discuss irises.  I plan on talking about my favorite yellow irises.  Yellow in the garden is beautiful.  Your eye is drawn to the yellows.  It is a happy , sunny color.   

It is easy to track the yellows with your eyes in your garden.

Creamy soft yellows can be calming.  Some yellows can overpower like an old iris I had that was called Dazzling Gold.

'Dazzling Gold' D. C. Anderson, 1977, Historic, may be obsolete 

This irises' color is so intense that it can effectively block other blooms from being seen.  It can be used in small quantities and perhaps used in a small somewhat shady area or perhaps subdued by other bold plants around it.  It is beautiful however.

'Gold  Trimmings' Schreiner's, 1973, Historic

This one is very old but I find it warm and calming.  It has a large, graceful bloom.  

'Salzburg Echo' Schreiner's, 2009, heavy substance

This is probably my favorite yellow and I got it by mistake.  I had ordered a group of Dykes Medal winners and got this instead of 'Splashacata'.  The well known vendor I got it from corrected their mistake and said I could keep this one.  I love the heavy substance, which means the petals of the standards and falls are thick.  It is believed that the heavier substance allows the bloom to last longer.  It withstands the wind and rain better.  The form is lovely.  

'Expose' Joseph Ghio, 2003, Honorable Mention 2006, Award of Merit 2008

This iris is unique.  We had over 600 different irises but while walking in the iris patch I never had to look at a list or map or marker to identify this iris.  This iris is interesting and fun in the garden.

'Golden Panther' Richard Tasco,  2000,  Honorable Mention 2002, Award of Merit 
2004, Presidents Cup at 2004 AIS convention,  Wister Cup in 2006, Dykes Medal in 2009

Beautiful in every way.  This iris looks different in different lights.  Highly recommended by me.  

'That's All Folks' William Maryott, Joseph Ghio, 2004, Honorable Mention 2007, Award of Merit 2009, Wister Medal 2011, American Dykes Medal 2013

Just perfect!  Whenever an iris wins the Dykes Medal you know it is a good one.  It is healthy, strong, disease resistant, able to grow in multiple climates around the country and many other criteria.  Only one iris per year wins the Dykes Medal and it is the top award of the American Iris Society.  Irises are eligible as a Dykes Medal candidate for three years following winning a classification medal.  Only AIS accredited judges may vote for the award. 

'Tiger Honey' Brad Kasperek, 1993, broken color 

This is still one of my favorite broken color irises.  This iris has nice form and colors.

Notice all yellow's catch your eye in the photograph above.  

'Golden Legacy' Gerald Richardson,  2013

This iris is one that I only had for a couple years before I moved.  It spaced itself nicely on the stem.  It is a little more muted in color than I usually go for.  Nice form.

'Sky Hooks' M. Osborne, 1979, Historic, Space Ager because it has horns on the end of the beard

This was one of the first irises I bought back in the 1980's.  I liked the hooks on the end of the beard.  Again a nice form too.  

When I first decided to write on yellow irises, I thought I didn't have very many.  I had 16 other yellow iris with nice pictures that I could have added.  I mostly looked in the photographs taken in the last few years.  It has been a pleasure to think and write about irises again.  I hope in the future to write about my favorite oranges and reds.  What are your favorite yellows?

Collage created for this blog as an extra

Photomontages of our 2016 Tall Bearded Irises

by Dawn Mumford

'Dazzling Gold' D. C. Anderson, 1977, 'Broadway' Keith  Keppel, 1979,  'Showcase' Schreiner's, 1973

'Orange Titan' J. T. Aitken, 2007, 'All My Dreams' Paul Black, 2009, 'Winning Hand' Joseph Ghio, 2011,'Barbara My Love' William Maryott, 1998, and 'Orangutan Orange' Brad Kasperek 2009 

I was a commercial artist in a past life (before marriage) and have always understood "Collages" to be pasted and glued objects fixed to a background to make a somewhat new abstract design. So strictly speaking what I make is really a "Photomontage" because it is digital pasting of similar objects together to make a new photo. The software I use calls it a collage but that isn't correct. It may be called collage because of the evolution of the English language. But back in my day it would be called a photomontage.

'Purple Pepper' D. C. Nearpass, 1986, 'Syrian Hills' Schreiner's, 2012, and 'Global Crossing' Robert Van Liere, 2011

This year I took pictures every day of the many irises that opened that day.  The pictures above were taken May 13, 2016.  Then I made montages of them.  I find these montages to be good in many ways.

1.  The montage is taken on the day the blooms open so it records bloom date.

2. I try to group the photos for the montage in colors that could later be used to plan iris beds.  
3. I know that I can use these irises in a single bed because I know they open at the same time.   

'Sea Of Joy' Schreiner's, 1985, 'Decadence' Barry Blyth, 2011, 'Gypsy Lord' Keith Keppel, 2005, 'Showcase' Schreiner's 1973, and 'Tumalo Sunset' Schreiner's  2009. 

This montage shows colors opposite each other on the color wheel so that is called a complimentary color scheme.  Using colors that are across each other in the color wheel will give you maximum contrast because orange will make the purple look darker and vica versa.  

'Master Touch' Schreiner's, 1980, 'Sea Power' Keith Keppel, 1998, 'St. Louis Blues' Schreiner's, 1979, 'Crowned Heads' Keith Keppel, 1996, and 'Snowmound' Schreiner's, 1976

This montage was taken May 31, 2016.   Sometimes some of my irises put out more than one open bloom at a time.  I love the effect. The visual appeal is dramatic. The one trouble is that they will all close together as well. This color scheme is called Analogous meaning they are colors close to each other on the color wheel. 

'Gay Parasol' Schreiner's, 1973, 'Polka' Thomas Johnson, 2009, 'Eagle's Flight' Schreiner's, 1985,'Elizabethan Age' Lowell Baumunk 2005

These flowers bloomed on May 14.  I guess you could say thy all are in one color family (red violet) but they are all subtly different or dramatically different. Again, I think a bed with these colors in it would be pretty. If you wanted more contrast you could add a yellow or an orange or pink.     

'Queen In Calico' James Gibson, 1979 'Vizier' Joseph Ghio, 1997, 'Fashion Diva'  Thomas Johnson, 2009, 'Romantic Gentleman' Barry Blyth, 2002, and 'Grand Classic' Richard Tasco, 2007

Arranging these photos together in a montage shows the slight difference in color of all these red wine colored irises.

'Modern Classic' F. Knocke, 1975, 'Highland Lord' Richard Tasco, 2009, 'Pledge Allegiance' Schreiner's, 1983, 'By Dawn's Early Light' Robert Van Liere, 2013, 'Blutique' Virginia Messick, 1998

There are hundreds, maybe thousands, of purples and blues in the iris world but that doesn't mean that they look the same.  The picture above shows some of the differences. 

'Sea Power' Keith Keppel, 1998, 'Grecian Sea' Anton Mego by Bruce Filardi, 2008, 'Slovak Prince' Anton Mego, 2002, 'Conjuration' Monty Byers, 1988, 'Skywalker' Schreiner's, 1996, 'Like Wow' Schreiner's, 2012

More blues and purples taken May 26, 2016. An interesting note about 'Conjuration', it is at least 50" tall here in our garden.    

'Salzburg Echo' Schreiner's, 2009, 'Overjoyed' Joseph Gatty by Keith Keppel, 1993, 'Expose' Joseph Ghio, 2003 

I don't have a lot of yellows but I love the ones that I have.  

'Batik' (Border Bearded) Allan Ensminger, 1985, 'Millennium Falcon' Brad Kasperek, 1998, 'Kinkajou Shrew' Brad Kasperek, 1999, 'Ocelot'z Lot' (Border Bearded) Brad Kasperek, 2012, 'Blutique' Virginia Messick, 1998, and 'Tiger Honey' Brad Kasperek, 1993,

I have started collecting "Broken Color" iris like those pictured above.  I find them fascinating.  I now have about 29 of them. 

There are many software programs that you can use to make collages or more correctly photomontages.  The one I use is no longer available but a search on line reveals lots and lots of programs that work. Smilebox and Shutterfly both have one.  

I have found collages or photomontages to be extremely useful as explained previously in this blog. Give them a try. Let me know if you do them and which software you have. How well does it work and how easy is it to use? If you comment on this article it will let others know what other software is out there and tell me and others who read this blog about it.