Monday, December 7, 2015

MY CHANCE TO SING THE 'BLUES'

by DAWN MUMFORD

'Stairway To Heaven' (Larry Lauer, 1992)

I know there have been others who posted articles about blue irises but I would like to have my chance to sing their praises.  I am hoping you will be tempted to plant a few if your garden is lacking blue.  

Over the last 30+ years my color tastes have changed almost every year.  One of the first years I started ordering I was drawn to the rusty orangey brown irises like 'Carnival Time', 'Copper Classic', 'Brindisi', 'Starburst', 'Astro Flash', and 'Copper Mountain'. One year I was drawn to blacks, some years I concentrated on Dykes Medal winners.  For a while I saw blues in the catalogs and it was as if they stood out more intensely than the other irises.  Some years the pinks and reds look tempting to me.  The last two years I've been attracted by the blues again and have placed orders with several companies who have offered them.  Here for your viewing are some of my favorites, but by no means all of them. I have many irises that are from different decades because we have been growing them for such a long time.  You will find that some of my blues are *historics and others are more modern.  

 'Silverado' ( Schreiner, 1986) 
This iris has perfect form as far as I am concerned.  In some light it looks almost white but it is a pale blue.  It grows well for us here and needs little or no care except it has to be divided often because it grows so well.
  
 'Babbling Brook' (Keith Keppel, 1965)
This 50 year old iris is such a stand-out in the garden.  It has very clear, clean blue color and photographs pretty true to color in my opinion.  


'Praise The Lord' (J. Boushay, 1971) 
The contrast between the deep blue and the white beard is striking.  Even without ruffles and lacing it is simply elegant.  


'Honky Tonk Blues' (Schreiner, 1988)
One of my top 5 blues.  I love the fading and the *reverse *bitone coloring.  

'Blutique' ( Virginia Messick, 1998)
Even though this one was included in my *broken color blog it is still also one of my favorite blues.  If you are a little timid to grow broken color start with this one.  Having just two colors it isn't as bold as some of the others.  

'Grecian Skies' (Opal Brown, 1984)
A friend gave it to me as a piece of rhizome a little bigger than a dime. I was sure it wouldn't grow and if it did I would misplace it.  We put a stake by it so we wouldn't hoe it out with the weeds.  It bloomed the second year and here is the bloom. Thank you, friend, for sharing it.  


'Skywalker' (Schreiner, 1996) 
The beautiful shading on it reminds me of 'Honky Tonk Blues' but 'Skywalker' is a lighter, more delicate blue.  As you can see it stands out in the garden.  The darker blue behind it is 'Sheer Bliss'. 

'Blue Crusader' (Schreiner, 1998) 
This was a substitute that Schreiner's sent me because they couldn't send 'Bleinheim Royal'.  I was disappointed until I saw this one bloom.  This is a beautiful, true *self where even the beard is blue.  


'Sea Power' (Keith Keppel, 1998) 
I love the color and all the ruffles.  

'Full Tide' (Opal Brown, 1972)
This 43 year old iris is still one of my favorites.  Perhaps it acts as straight man to the other more flamboyant irises.  Simply pretty!



'Adriatic Waves' (Keith Keppel, 2009)
This is one of my newer blues.  It is described in the Iris Wiki as having standards of cornflower blue, falls of violet blue shading to steeplechase blue. This picture, as all others in this blog, was taken in our garden by me.  

'Captain's Choice' (Schreiner, 2009)
This is a very dramatic iris. It can be classified as an *amoena or a *neglecta. 

I have several new ones that I don't have pictures for. 
They are 'Dangerous Mood', 'Baltic Sea', 'Water Waltz', 'Wake Water', 'Blueberry Bliss' and 'Grecian Sea'.  I would like to show those another time. 

Have you planted blues?  What do you like to pair them with?  I would love to hear from you.   




* historic are those irises 30 years old or older
* reverse are those irises that the standards are a darker shade than the falls
*broken color are those iris that have random splashes of color
*self is an iris of uniform color
*amoena is a iris that has colored falls and white standards
*neglecta is an iris that is a blue or violet bitone
* bitones are those irises that have 2 tones of the same color

Monday, November 30, 2015

Understanding Iris Descriptions

by Tom Waters

If you've spent some time looking for information about particular irises, you've probably encountered something like this, which I've copied from the American Iris Society (AIS) online Iris Encyclopedia:
'Montmartre' Keith Keppel, R. 2007). Seedling 01-49B. TB, 33" (84 cm), Early thru midseason bloom. Standards greyed red-purple (M&P 45-J-5), 1/4" straw yellow (10-F-2) edge; style arms straw to reed yellow (10-I-1), midrib flushed red purple; Falls velvety dark red purple, darker and brighter than raisin purple (54-B-12), narrow oyster white (10-B-1) edge, inner haft lemon (9-L-2), white around beard; beards chrome yellow (9-L-7), white and lemon at end. 99-61A: (96-11D, sibling to 'Moonlit Water' x 'New Leaf') X 'High Master'. Keppel 2008. Honorable Mention 2010, Award of Merit 2012Wister Medal 2014.
Most of this text is from the official description of the variety as published by the AIS. The information is presented in a standardized order and format. Even unofficial descriptions, as you might find in catalogs or other publications, tend to follow this format to some extent, although usually somewhat simplified.

This is a rather intimidating mass of text for the novice iris enthusiast to process. In this post, I will step through it all one piece at a time, explaining what it all means and sharing some interesting background information along the way.

The first portion is this: "'Montmartre' Keith Keppel, R. 2007)." 'Montmartre' is the name of the iris; Keith Keppel is the person who created it, and 2007 is the year it was registered ("R.") with the AIS.

Registration is the process by which a new iris is assigned a unique name. Why is this necessary? Can't the person who breeds a new iris just call it whatever he or she feels like? That was essentially the state of affairs in the nineteenth century, when nursery businesses devoted to ornamental plants were coming into their own. The result was a great deal of confusion. Different plants were being sold under the same name, and some plants were being sold under more than one name. Furthermore, plants were sometimes given names that looked like botanical names but were not. The bring order out of chaos, an international system for naming cultivated plants was created. This is the International Code of Nomenclature for Cultivated Plants (ICNCP). The code includes rules about what form a name may take (it can't look like a botanical species name, for example, cannot be excessively long, or be just a descriptive word like "yellow"). For many types of ornamental plants, the ICNCP rules are implemented through a designated International Cultivar Registration Authority. For all irises except those that grow from bulbs, the registration authority is the AIS. So it is the role of the AIS to ensure that new irises are named according to the rules, and that each name is officially assigned to a single particular cultivar.

(The world "cultivar", coined from the phrase "cultivated variety", is the technically correct term for a unique plant. Although the term "variety" is often used, that word has a different meaning to botanists.)

Cultivar names are enclosed in single quotes, according to the ICNCP. There was an older practice of printing iris cultivar names in capitals, which you may still encounter from time to time.

So 'Montmartre' was registered with the AIS by Keith Keppel, the hybridizer who created it, in 2007. The person who registers an iris is usually the hybridizer who made the cross that produced it, but this is not always the case. One can register a particular or distinctive form of an iris species found in the wild or raised from collected seed with no deliberate cross-pollination involved. In this case, the person who registers the cultivar is just the person who has grown the plant and decided it should be named. It also sometimes happens that one person selects the plant to be registered, even though the cross that produced it was made by someone else. For example, 'Brown Lasso' resulted from a cross made by Gene Buckles, whose seedlings were passed on to David Niswonger when he died. So it was Niswonger who registered 'Brown Lasso' on behalf of the deceased hybridizer. The registration for this iris reads as follows:
'Brown Lasso' ( Eugene Buckles by David Niswonger, selector. R. 1972).
There is no requirement that the person who made the original cross be acknowledged in this fashion, but it is a commonly observed courtesy. 

It also sometimes happens that an iris has been in circulation for many years, without ever being registered, and an iris society or knowledgeable individual may step in and register it, so that its name can be officially recorded with a proper description.

I sometimes encounter people who are under the impression that registration somehow implies that the iris is deemed worthy by the AIS, or "approved" to be sold. This is not the case. The AIS does not make any judgment on the merits of the cultivars that are registered. The sole purpose of registration is simply to officially assign a name to a cultivar.

The next part of the description of 'Montmartre' is
Seedling 01-49B. TB, 33" (84 cm), Early thru midseason bloom.
First comes the hybridizer's seedling number. Hybridizers usually raise so many seedlings that they use numbers to keep track of them until a few are selected to be named. There is no standard format for numbering seedlings; each hybridizer has his or her own system. Why is this number included in the official description? It seems superfluous once a name has been chosen. One reason is that the iris may have been used for breeding, and referred to by number in a pedigree, before being registered. It also helps people in the future interpret the hybridizer's breeding records. Furthermore, the iris may have been grown and seen under its seedling number, for example at an iris convention, and this lets everyone know that this new iris is the same one they admired (or detested) when they saw it earlier.

TB stands for "tall bearded". Each class of iris has its own abbreviation. Next follows the height in inches and centimeters. The height of an iris can vary considerably, even in one garden, and much more so if grown in different climates and soils. So the height figure is best taken with a grain of salt.

Next comes the season of bloom ("Early through midseason"). You may also see the bloom season expressed in abbreviations: E-M, in this example. Bloom season is not referred to calendar dates, because that changes enormously from one climate to another, and even from year to year. Rather, it is expressed relative to other irises of the same type. So in this case, we know that 'Montmartre' starts blooming somewhat earlier than most TBs and continues blooming into the middle of TB season. These designations are always relative to the type of iris involved, so a standard dwarf bearded (SDB) iris with midseason bloom means it blooms in the middle of SDB season, even though this may be a month or so before TBs bloom.

Next comes the color description, which is often the longest part. The standards (upper petals) are described first, followed by the falls (lower petals, which technically are sepals). In this particular description, you will notice alphanumeric codes being used to describe the colors. There are a number of different color charts published by various individuals and organizations to help identify colors more precisely than common language can do. In this case, the system being used is that of Maerz and Paul (note the "M&P" given the first time a code appears in the description). Other color systems often encountered are RHS (Royal Horticultural Society) and Ridgeway. If you have access to the specified published color chart, you can consult it to see precisely which colors are referred to in the description. There is an important caveat, though: colors can vary depending on soil and weather and the age of the bloom. So the precision implied by using a color chart is somewhat illusory.

The M&P color system used in this description also assigns English names to colors, and these are used in the description ("reed yellow", "raisin purple", and so on). These sometimes strike me as rather too fanciful to be useful without consulting the color chart, but they can convey some general distinctions. (I think we all have a sense of how straw yellow differs from lemon yellow, for example).

One is not required to use a published color chart when describing an iris, and many hybridizers do not. In recent years, the AIS has been collecting photographs along with the registration descriptions, which is a wonderful development. A picture is indeed worth a thousand words. A photograph is not required, however, just encouraged.

At the end of the description comes the parentage, or pedigree, of the iris. The pod parent is given first, then a large X, then the pollen parent. These may be named cultivars, or seedlings identified by number, parentage, or both. The parentage can sometimes be dauntingly complex if the hybridizer has been using their own seedlings for many generations.

Let's untangle this particular parentage, which is fairly easy as such things go. First look for the large X that separates the two parents. We can see right away that the pollen parent is 'High Master'. What about the pod parent? It is this:
99-61A: (96-11D, sibling to 'Moonlit Water' x 'New Leaf')
The pod parent is a seedling numbered 99-61A. (Since no other hybridizer is indicated, this is one of Keith Keppel's own seedlings.) That seedling's parentage is given inside the parentheses, after the colon. Its pollen parent is 'New Leaf' and its pod parent is another seedling, 96-11D, which we are told is a sibling to 'Moonlit Water'. So if we want to know that seedling's parentage, we can look in the description of 'Moonlit Water' (siblings have the same parentage, by definition.) Why refer to it that way? Why not just give its parentage? In this case, it is an enormous space saver. Look up the parentage of 'Moonlit Water' and you'll see what I mean!

Sometimes you will see a description that says "parentage unknown", or lists a pollen parent as unknown. When the pollen parent is unknown, it could be that the cross was made by insects, rather than the hybridizer. (These are often referred to as "bee pods".) This is not always the case, however. Particularly when the entire parentage is unknown, it is likely to be a case of an intentional cross with lost of confused records.

Following the parentage, we see "Keppel 2008". What is this? We already saw at the beginning that the iris was registered by Keppel in 2007. This last bit of information is the record of introduction. "Introduction" is short for "introduced into commerce" and refers to when and by whom the iris was first offered for sale to the public. In this case, Keith Keppel sells his irises himself, so we just see his name and the year 2008. It is rather common for an iris to be registered in one year and first offered for sale in the following year, although the gap can be longer, or an iris can be introduced the same year it is registered. If the iris were introduced by a commercial garden, it is the name of the garden that is used. For example, Mid-America Garden introduces irises bred by Paul Black and Thomas Johnson.

Why is introduction important? One reason is that where and when an iris is introduced determines its eligibility for AIS awards. (AIS awards are given only to cultivars introduced in North America, and the year of introduction determines when an iris becomes eligible for awards. The AIS does not recognize an iris as having been introduced until the person who registered it sends evidence of introduction to the registrar.

In fact, the year of introduction is so important that when an iris is referred to in text, the hybridizer and year of introduction are often given in parentheses following the name: 'Montmartre' (Keppel, 2008).

Can an iris be registered and not introduced? Indeed. Registration, remember, is just the official assignment of the name to the plant; it does not imply anything about whether the iris should or will be offered for sale. The hybridizer might lose the plant, decide not to sell it, or be unable to sell it for some reason.

Conversely, there are irises (mostly older ones) that have been introduced into commerce but never registered. The ICNCP is not a legally binding set of rules, nor does the AIS have any legal standing to require irises to be registered before they are sold (although an iris must be properly registered to be eligible for AIS awards). So there have been iris hybridizers (mostly in past eras, and mostly working outside the US) who did not bother with registering their creations before selling them.

Finally, at the very end, is a list of the awards the iris has received: in this case, Honorable Mention, Award of Merit, and the Wister Medal.

I hope this post has given some insight into the nuances and complexities of iris descriptions. If you have any questions, please ask in the comments below, and I will do my best to answer!


Monday, November 23, 2015

Reddish, Redder, Red––A Short History of Selecting for Red in PCI Flowers

Kathleen Sayce

Recent Pacifica Iris selections are starting to look very red, but first selections of this rich color appeared decades ago in mid 20th Century hybrids. 
PCI 'Claremont Indian' R. by Lee Lenz,
photo from SPCNI photo collection. 

PCI 'Claremont Indian' was registered in 1956. Here's Dr. Richard Richards' notes about early reds,
 "The first "red" iris I ever saw was Dr. Lee Lenz's Claremont Indian. He produced it in the 50s, in a cross of innominata and probably douglasiana


"It was the foundation for the
reddish irises that appeared in Southern California, such as 'Pasadena Indian' and 'Native Princess' by George Stambach.

PCI 'Native Princess' by George Stambach, 1964


"About the same time Ghio introduced 'Emigrant', from seed I believe that
came from Hargreaves. Spelling approximate. From that iris came the Ghio reds. Of course hybridizers were using both 'Claremont Indian' and 'Emigrant' right away."



PCI' Emigrant', R. Joe Ghio, 1981


The early reds had species-like petals, much narrower than present-day hybrids, with reduced ruffling and narrow standards and style arms. Signals were typical of species, edging and veining were both restrained, and flowers tended to hold up well in inclement weather. 

By the late 20th century, ruffles, wide flower parts (falls, standards and style arms), bright colors and increased complexity in patterns on falls were, and still are, developing from year to year. 


I'm not going to show all fifty plus 'red' PCI selections (you can look them up in the Iris Encyclopedia), but will list some of them, focusing on those that are important for breeding, toughness, depth and complexity of color, and other desirable traits. 

PCI 'Indian Maiden', by George Stambach, R. 1971. 

'Indian Maiden' was another Stambach hybrid that showed complex dark veining on a lighter background. This patterning is an attractive feature of new 21st century hybrids, in a variety of color combinations. 

1970s registrations include:
'Sundance Eight' (e. Molseed, 1979), 'Verdugo' (Phillips, 1971)


PCI 'Mission Santa Cruz' (R. Ghio 1982) is still an useful parent for new hybrids. Its petal colors are intense, and carry forward into new hybrids a distinctive deep color saturation and sturdy petal structure. 

PCI' Mission Santa Cruz' R. 1982, Joe Ghio
In England, Marjorie Brummitt produced a series of Banbury hybrids during the latter part of the 20th Century, including 'Banbury Gem' (1972) and 'Banbury Melody' (1983). 


Other 1980-90s 'red' registrations include: 
'Adept' (Ghio, 1997), 'Battle Alert' (Ghio, 1995––and the name should be a clue that this is one of the very dark red hybrids), 'Common Sense' (Ghio , 1997), 'Endless' (Ghio, 1985), 'Escalona' (Ghio, 1994), 'Gamay' (Terry Aitken, 1995), 'Junipero' (Ghio, 1989), 'Mission Santa Clara' (Ghio, 1992), 'Opulence' (Elaine Bessette, 1996), 'Riva' (Ghio, 1988), 'Town Belle' (Elyse Hill, 1998), and 'Upper Echelon' (Ghio, 1988). 



PCI 'Salsa Picante', R. 2014, Emma Elliott,
photo courtesy Emma Elliott, Wild
Ginger Farms
'Salsa Picante' looks back at 'Emigrant' in a modern, sturdy plant with flowers held upright.


Two recent introductions by Debby Cole, 'Red Delicious' and 'Scarlet Woman' also edge closer to solidly red flowers. 


PCI 'Dracularity', another Debby Cole introduction, is an intensely colored flower, reminding us of the color blast that comes from well saturated petals, in this case with light edges. 


PCI 'Dracularity' R. 1998, Debby Cole





PCI 'Tulum', R. 1996, Joe Ghio.
 This article ends with another hybrid from Joe Ghio, 'Tulum', which shows more ruffles, wider flower parts, and in this hybrid, a dark signal and veining on a lighter background. It's a lovely hybrid with a velvety surface and in full sun, a pinkish red. 


Most of the photos in this article are from the SPCNI photo collection, with thanks to Ken Walker, Recorder, for sharing them to this blog. Emma Elliott shared  'Salsa Picante'. I also thank Richard Richards for his comments on early red PCI hybrids. 




Thursday, November 19, 2015

IRISES, the Bulletin of the AIS - Fall 2015 Edition

By Andi Rivarola

A warm welcome to another wonderful issue of IRISES, the Bulletin of The American Iris Society. As you can see from the cover below it features 2015 Dykes Medal Winner 'Gypsy Lord' by hybridizer Keith Keppel. 

The Fall 2015 issue of the AIS Bulletin is now available for online viewing within the Emembers section of the AIS websiteNote: to access this area of the website you must have a current AIS Emembership. AIS Emembership is separate from the normal AIS membership. Please see the Electronic Membership Information area of the AIS website for more details.


In this edition you will enjoy the images of all 2015 AIS Award Winners, starting on page 2, including all three Wister Medal Winners, 'Money In Your Pocket' by Paul Black, 'Snapshot' by Thomas Johnson, and 'Temporal Anomaly' by Rick Tasco.

On page 7 don't miss a beautiful picture of 'Royston Rubies' by Adam Cordes, the winner of the Lloyd Zurbrigg-Clarence Mahan Cup for Best Iris Seedling at the Portland, OR Convention.  It was an exciting seedling to see doing well at most Convention gardens. 

A heartfelt note by outgoing AIS President, Jim Morris on page 9 who says Adieu fondly recollecting the many experiences, and paying homage to the people that made it possible for him to accomplish his timely mission. I enjoyed his quote by U.S. President John F. Kennedy


Before we can set out on the road to success, we have to know where we are going, and before we can know that we must determine where we have been in the past.
On Section Happenings on page 10, Gary White, AIS Section Cooperating Society Liaison got this report from the Society for SIberian Irises: 


A Siberian iris was the first runner-up to the Dykes Medal, after judges voting for iris awards this year. 'Swans In Flight' (Hollingworth 2006) may be the closest siberian iris to date to winning the Dykes Medal. 
The Portland Convocation was fully covered in this edition of IRISES, starting on page 12 with articles and photos by Jim Morris, from Missouri; Stephanie Markham, from Massachusetts; Ginny Spoon, from Virginia; Bonnie Nichols, from Texas; Chuck Bunnell, from Indiana; and Kate Brewitt, from Canada. 

On page 28 you will find a full list of 2015 AIS Awards

Read the continuation of an amazing article called "The Long Road to a New Iris in India: Part 2" awaits you on page 36.

A fantastic dedication to the passing of David Cadd (1945 - 2015), written by Jim Morris is on page 50. We will miss you David.

Lastly, don't miss news about the 2016 National Convention to be held in Newark, NJ and at The Presby Memorial Iris Gardens on page 51, with a Registration form on page 52. (FYI, the website for the convention can be found here).


There's a lot more to see and read in this edition of IRISES, either in digital or print formats. If you are an AIS member know that you will receive the print edition soon (it's in the hands of the Post Office), or if you are an e-member, then that version is already available online as mentioned above. 

Happy gardening!