Monday, March 18, 2019

Eastern Europe: A New Iris World

By Sylvain Ruaud

Until the 1990s the world of iris was limited to Western Europe, North America, and the two major islands of Oceania. At that time, iris lovers in these countries were not interested in the rest of the world, and the belief was that the rest of the world was not interested in irises. At least that's what was commonly accepted. It all changed due to the Florence International Competition in Italy, when the existence of iris interest in other parts of the globe became known.


Two major events opened the eyes of the western world, that there were irises elsewhere, and especially behind the Berlin Wall and the Iron Curtain.


In 1985, a variety called 'Libon' (Smid, unregistered) triumphed in Florence. This elegant variegata won over 'Cameo Wine' (Blyth, 1982) and 'Fort Apache' (Schreiner, 1982). These were irises from the great American-Australian tradition, that were accustomed to winning the awards. The second event was the victory in 1995 of 'Ikar' (Volfovitch-Moler, 1995), a variety from Uzbekistan, a country whose very existence was not known to everyone, and winning it did, in a competition that included  'Classic Look' (Schreiner, 1992) and 'Goldkist' (P. Black, 1993). At that point, iris growers knew that there was something new happening in Eastern Europe.

In the Soviet Union

In Eastern Europe, iris culture is determined by climatic conditions. In the southern areas, it is the summer heat that is not suitable for large iris (TB); in the northern states, it is the cold and wet winters that are unfavorably to good growth. The suitable area for growing irises extends roughly between the 41st and 56th parallels. This is why, for this article, I will focus on five states: Czech Republic, Slovakia, Poland, Ukraine, and Russia.


Iris ‘'Libon' is from the Czech Republic. In the 1980s the problem for those who wanted to try iris hybridization was to obtain broodstock for interesting crosses. In an economy completely in shambles, it was necessary to be cunning and, most of the time, to get the rhizomes secretly, without telling others how it was obtained. This is how 'Libon' was produced, its creator Wojtech Smid made the crossing Crinkled Gem X Amigo's Guitar, two varieties dating to 1964.


At the same time a well-known scientist in the field of botany and horticulture, Milan Blazek, who practiced hybridization himself and took advantage of his contacts abroad also helped by bringing back some plants. All this was improvised, and it is quite surprising that W. Smid managed to send some varieties to Florence.

Before the collapse of the Soviet bloc, elsewhere in Eastern Europe, the iris world was non-existent. Except, it must be pointed out, in the USSR itself, where Professor Rodionenko had acquired a world-wide reputation in botany and specifically in iris botany. Some daring individuals tried to hybridize with means as limited as those available to the Czech hybrizers, and for no other purpose than to indulge themselves. For example, only after 1990 was it announced that Vitali Gordodelov, a former Red Army officer in the Caucasus in Stavropol, or Irina Driaghina of Moscow, were creating new irises.

The freedom found


The dismemberment of the Soviet Union was the occasion for the emergence of a large number of new iris hybridizers. In the Czech Republic, for example, where there has always been a nucleus of hybridizers, they were immediately organized and they even created their catalogs including the western irises they had obtained, and many skilled and inspired horticulturists appeared: Josef and Jiri Dudek, Pavel Nejedlo, and Zdenek Seidl.

'Modre Pondeli' (Seidl, 1997
These four very good hybridizers made themselves known beyond the borders of their country, as soon as they could export their production. The situation in neighboring Slovakia was about the same. But only one breeder managed to conquer the western world: Ladislaw Muska. As soon as he was able to acquire modern varieties he embarked on a highly developed hybridization program. His varieties appeared in France in the late 1990s and, moreover, have distinguished themselves in competitions organized very quickly in Eastern Europe and Russia.

'Brekeke' (Muska, 1996)
In Poland, the movement was launched by a former actor and director, Lech Komarnicki. Living in the north-west of the country, he encountered major setbacks with his irises when they were  destroyed by frost. But these difficulties did not dampened his enthusiasm and he has become an inescapable element of irisdom in his country and neighboring countries.

In Ukraine, an exceptional person was at the origin of the movement: Nina Miroshnichenko, wife of an officer of the Red Army, garrisoned in the east of the country, with rudimentary means, undertook a remarkable hybridization work. She was quickly joined by a nurseryman, Alexandr Trotskiy, whose varieties quickly joined the international level.

Sergei Loktev, extravagant and passionate character, launched the movement in Russia. He abandoned all other activities to focus on hybridization and created in twenty years nearly 800 new irises of all categories! At the same time he organized the Russian Iris Society, which  became one of his most important achievements. Many hybridizers followed his example, and thus Russia became one of the countries with the highest number of new varieties.

'Feodosiya' (Loktev, 2011)
Modern times


Today the countries of Eastern Europe and Russia constitute major centers of iris collections in the world. Some young hybridizers have become admired personalities for the quality and originality of their introductions. This is the case, in Slovakia, of Anton Mego, a hybridizer that has become known in the United States since his iris 'Slovak Prince' (2002) received a Wister Medal in 2009. A distinction as prestigious and as difficult to receive, which is a true testament to his talent.

In Poland Robert Piatek, has hybridized irises since the early 2000s, has done considerable work but unfortunately, is still poorly known outside his country. Other Polish hybridizers have followed suit. Several Ukrainian breeders, benefiting from more favorable climatic conditions, have created irises that are not yet sufficiently known elsewhere than in Ukraine. They are Igor Khorosh and Svetlana Yakovchuk. Both, with seemingly interesting varieties, seek to make themselves known abroad.

The world of iris in Russia is experiencing a real explosion. Three or four names rise above the lot. As Olga Riabykh, Vladimir Osipenko, Viktor Kolesnikov, Marina Volovik, who are among the best known. However, it seems that these hybridizers have difficulty marketing their products outside their country of origin. Some of the issues could be due to the current state of international political conflicts.

'Grinoy Dozhd' (Riabykh, 2015)
Some other breeders also deserve to be recognized: Izidor Golob, in Slovenia, who works quietly in his small country; Laimonis Zakis in Lithuania, a maverick, who creates irises comparable to those elsewhere in the world, but refuses to register them and does not intend to make himself known outside his home.

Some examples:



'Fioletovy Nizkorosly' (Driaghina, 1996)



'Solovinaya Noch' (Miroshnichenko, not registered)


'Horské Oko' (Mego,2015)


'Etsitu' (Piatek, 2015)


'Sertse Okeanu'(Khorosh, 2007)

By spreading throughout Eastern Europe, the cultivation of irises has entered a new field. We can only rejoice at this expansion. But it must be said that irises still have many parts of the globe to conquer.

Editor's Note: Sylvain Ruaud is a well known iris authority in Europe, keeping up with iris news and events in that part of the world. He writes about gardens and irises on his French blog  Irisenlige  and this is his second posts for us. In future posts, he will continue to update us about the world of irises in Europe. 

Monday, March 11, 2019

The Well of Zamzam and Another Side of the Spuria Named Wadi Zem Zem

By Anna Cadd

You never know what you will learn in your lifetime! After posting the original article in the Spuria News and AIS Blog about the Spuria iris named Wadi Zem Zem, AIS-past president Jim Morris mentioned that maybe my suggestion of the name Wadi Zem Zem has the different source. This is a most fascinating story!


Spuria iris 'Wadi ZemZem'

Wadi Zem Zem was registered by Carl Milliken in 1943 and introduced in 1945 with a short description in his 1945 catalog: "WADI ZEM ZEM (Milliken) - A clear cream-colored spuria,

remarkably large in size and of excellent- shape. The rounded spreading falls are two inches or more in width, the standards are erect and open. Height 4 feet. Stock is very limited. $7.50."

Carl Milliken re-introduced this Spuria one more time in 1953 as seen in his catalogue, with a photo of Wadi Zem Zem on the front cover and two drawings of Arabs; one drinking from a spring and the other sitting on a horse looking at the ravine. Under the drinking Arab the name Wadi Zem Zem
with reference to page 19.

Page 19 of the catalogue contains another description of Wadi Zem Zem between 18 different Spurias: "WADI ZEM ZEM (Milliken) A beautiful large cream colored Spuria. The rounded spreading falls are two inches or more in width. The standards are erect and open. We think this is the finest Spuria. 4 ft. See illustration at the top of page, as well as on the front cover. $2.50."

(Note the price change from $7.50 in 1945 to $2.50 in 1953. The customer would also be able to buy the "BUTTERFLY COLLECTION: 'Azure Dawn' or 'Mt. Wilson', 'Gold Nugget' or 'Monniere', 'Pastoral Russet', 'Flame Saugatuck' or 'Fifth Symphony', 'Wadi Zem Zem' or 'Two Opals'; 6 plants, one of a kind. Be sure to send $5 00 when indicate your selections!").
Carl Milliken 

It is interesting to look at page two of the 1953 Milliken catalogue: "This year we have devoted our front cover to the loveliest of all Spuria Iris, the incomparable 'Wadi Zem Zem'. The photograph itself shows 'Wadi Zem Zem' growing in the group and demonstrates well the stately height of the plants and flower stalks compared with the normal bearded iris plants in the foreground.


Milliken Gardens catalog

When we named this fine flower we selected a locality in the Levant whence its ancestors might well have come, and our artist has composed this scene for you. A wadi, as you know, is a dry wash or ravine in the terminology of North Africa and Asia Minor. But Zem Zem is not normally a part of our knowledge. It is a spring at Mecca, which Mohammedans believe was created by Allah, to slake the thirst of Ishmael and Hagar when they were driven into the wilderness by Abraham.

Wadi Zem Zem is the first and only Spuria Iris to receive an Award of Merit from the American Iris Society; it has had most flattering attention in magazine articles recently, as well. Its fame is worldwide and we have even made shipments to Africa where it far surpasses the indigenous varieties. For further information and the close-up view of the bloom, please turn to page 19."


Milliken Garden catalog description

In the fall of 2018 when I was writing my first article about the Spuria Wadi Zem Zem, I didn't know about Carl Milliken’s catalogues from 1945 and 1953, where he really introduced Wadi Zem Zem to wider distribution. Milliken in his catalogue (on page 2) points to a different source of the name, but a Google search reveals that the name of the Holy Spring is Zamzam (pronounced it Zemzem).

The main purpose of my first article was to show that Wadi Zem Zem is in the pedigree of most introduced Spuria varieties, and the name fascinated me enough that I assumed a different line of thought for the origin of the name. There is the confusion regarding the name, which probably confused Mr. Milliken and me equally. As I wrote in my previous article, there is a geographical location with the name of Wadi Zem Zem (Uadi Zemzem). It is a wadi (ravine) in Libya and at an elevation of 26 meters above sea level at 31°24'0" N and 15°16'60" E. This location was made famous because of the British soldier Keith Douglas. He wrote the small book "Alamein to Zem Zem", which is a military memoir of the Western Desert campaign of World War II. El Alamein is a small town in Egypt on the Mediterranean Sea, 66 miles from Alexandria and 149 miles from Cairo. Zem Zem is in Libya and where the story ends.

I thought that maybe Mr. Milliken heard about the battle at Wadi Zem Zem and the young British poet-soldier, who sought to write about the sacrifices of soldiers from all nations and named his new Spuria to pay tribute to those who fought evil. But apparently I was wrong.

British soldier Keith Douglas

The problem is that as Milliken wrote in his 1953 catalogue: "It is a spring at Mecca, which Mohammedans believe was created by Allah, to slake the thirst of Ishmael and Hagar when they were driven into the wilderness by Abraham."

An internet search reveals: "The Well of Zamzam is a well located within the Masjid al-Haram in Mecca, Saudi Arabia, 66 ft east of the Kabah, the holiest place in Islam. According to Islamic mythology, it is a miraculously generated source of water from God, which sprang thousands of years ago when Ibrahim's infant Ishmael was left with his mother Hajar in the desert. She was desperately seeking water but she could not find any, as Mecca is located in a hot dry valley with few sources of water. Getting thirstier by the second, the infant Ishmael scraped the land with his feet, where suddenly water sprang out."


The correct name of the wells is Zamzam. The wells are located in the hot dry valley and not the ravine - wadi in Lybia. Wadi Zem Zem in Libya is located 2200 miles from wells in Mecca, Saudi Arabia. Interesting, that two different locations share a very similar name. We will probably never know where Milliken learned about this place and if his intention was to memorialize the holy wells in Mecca or, as I assumed, to memorialize the battlefield in Libya. I was wrong with my assumption of the origin of the name, but it was Mr. Milliken who named his famous Spuria with the wrong name location! But on the other hand, we tend to underestimate the "old folks," especially when they talk about seasonal water ravines and Holy Springs in one breath!




The mystery behind this name probably will never be solved. It was fun learning all this information and perhaps some readers will also like the additional information!

Note: This article first appeared on the Spring issue of Spuria News. Published with permission from the Spuria Iris Society.





Monday, March 4, 2019

Irises vs. Mother Nature



By Bonnie J Nichols (Dallas, Texas)


There is always a standard joke in Texas:  “If you don’t like the weather – just wait a minute and it will drastically change.”  I really wish that statement was a joke; however, gardening in Texas (particularly iris gardening) is a challenge for us.


By RC Designer from Flickr

Our big challenge is that our weather has so many fluctuations, the irises remain in a confused state.  I hear iris gardeners from other states say “this has or has not been a normal iris bloom year”.   I’m not sure what “normal” for us is.

Gardening in Texas (and maybe throughout the south) issues include:
·       We do not encourage iris re-bloom because we have two choices.  If we continue to water the irises when the soil gets dry, we encourage bacterial rot because of our high humidity.  If we do not water in the summer when there is zero rain in July and August, we discourage re-bloom.
·       The second problem we face is in winter is that our ground does not freeze or have a constant cold temperature.  For instance, we experience 60-70 degree days and 30-40 degree days in January and February that bring early iris stalks that should not come until April. 

The second problem is what I would like to focus on in this article.  As I am writing, our weather forecast for the next three days is highs of mid-30 degrees and lows of 15-20 degrees.  We have early stalks on IBs and some TBs that as of tonight will be history.  We know we will lose more stalks that have not emerged from the foliage.  I have tried in years past to cover my irises with freeze cloth.  If anything, I made the situation worse because the freeze cloth kept the cold air in place.  Other iris beds that did not have the freeze cloth did better because there was air circulation. 

As dedicated iris growers as we all are……….you must look at the positive side.  The SDBs and aril breds will probably still bloom once we get to our last freeze date which is typically the third week in March.  If the TB season is a bust, the Louisiana and spuria bloom (which is much later) will be good.  Once this week of low temperatures passes, we are diligent about cutting out frozen stalks to discourage rot when the temperatures warm up.

One last note about spring and irises.  When the crocus bloom we fertilize our irises in Texas.  Crocus bloom is typically around Valentine Day.  When you apply granular fertilizer (we use 8-8-8), use caution and do not broadcast into the iris leaves.  When the rains come, the undiluted fertilizer will encourage rot.

Monday, February 25, 2019

Siberian Irises: The Greatest of Them All – White Swirl

by Bob Hollingworth

The first blog I wrote for AIS in 2011 about Siberians gave the background on 'Caesar’s Brother' and was entitled The Greatest of Them All.  After a long gap, let’s return to that theme and consider the other, very strong, contender for this title – 'White Swirl'.  'White Swirl' was introduced by Fred Cassebeer in 1956. Mr. Cassebeer was a pharmacist in New York who ran the family pharmacy store in Manhattan and also made many contributions to AIS including serving on the Board of Directors, editing the AIS Bulletin, and designing the Distinguished Service and Hybridizers medals – both of which he was later awarded.

The lovely form of White Swirl
                              
'White Swirl' wasn’t always called by this name. When originally registered by Mr. C. it was called 'Frank Stubbs'. As I remember it, Mr. Stubbs was a longtime gardener/horticulturist for the Cassebeers. When it became clear that this was a very special flower, Mr. C. was prevailed upon to find a more attractive name and thus 'White Swirl' was born – and poor Mr. Stubbs’ shot at eternal glory was, rather unfairly, nipped in the bud.

                                Fred Cassebeer (left) shows one of his bearded iris introductions

The origin of 'White Swirl' is a mystery which has led to considerable speculation regarding its parentage. Mr. Cassebeer said that he planted four coffee cans full of bee pod seeds from existing Siberians in his garden, and 'White Swirl' stood out among the thousands of resulting progeny. His best guess at parentage, based on its appearance and his existing Siberians at that time was ‘Gatineau’ and ‘Snowcrest’.

Whatever its origins, it rapidly became clear that 'White Swirl' was novel and unusually attractive. A sparkling white with a touch of yellow in the center and quite large for its times, its form was most notable – horizontally flaring falls with an interesting curvy (swirled) form that was unlike most of its peers which had pendant falls. Perhaps as another thought on the source of this, then unusual, form  a similar flaring white Siberian has been reported as a naturally-occurring rare variant from Japan – I. sanguinea var. albiflora.  Snow Queen’, a form of I. sanguinea collected in Japan in 1900, is described as having “horizontally-poised falls” and is the pollen parent of 'Snowcrest', one of the putative parents of 'White Swirl'.

'White Swirl' received an Honorable Mention award in 1957. In 1961 Ben Hager wrote “This one (White Swirl) is such an advance that it doesn’t look like a Siberian Iris …. almost …. The Morgan Award should be revived for this one alone if necessary”, and in 1962 'White Swirl' did in fact receive this award (then the equivalent of an Award of Merit) which had not been given since 1954.  Even more impressive, in 1987, 12 years after Mr. Cassebeer’s death, it received the AIS Board of Directors Award given to an iris that has had an extraordinary influence on iris breeding but never received the highest AIS award, the Dykes Medal. This award no longer exists (unfortunately to my thinking), but 'White Swirl' certainly earned it.  

As soon as it was introduced, hybridizers jumped all over it, despite the fact it produces little pollen, and it’s rounded ruffled form became the standard for Siberian irises for several decades and is still seen very frequently today. It was clearly a very significant factor in the rise of interest in Siberians in the 1960s and 1970s. Today, a search on the AIS Iris Registry shows over 100 Siberians with White Swirl included specifically in their parentage, and many more where it exists in the background of named varieties which were then used further as parents.


                                          'Ego' - One of 'White Swirl's' many winning progeny

                                                    Another example - 'Ruffled Velvet'

Just a list of some of the major awards to its progeny shows it’s influence – 12 of the 15 Siberians receiving the Morgan Award (then the highest AIS award specific for Siberian irises) or, later, the Morgan-Wood Medal from 1970-1987 had 'White Swirl' prominently in their parentage, including Bill McGarvey’s 'Dewful' in 1970, 'Supergo' in 1971, 'Ego' in 1972 and 'Pink Haze' in 1984, Ben Hager’s 'Swank' in 1973,  Sid DuBose’s 'Vi Luihn'  in 1977, Currier McEwen’s 'Ruffled Velvet' in 1980 and 'Butter & Sugar' in 1981, Harley Briscoe’s 'Steve Varner' in 1982 and, later, Calvin Helsley’s 'Mabel Coday' in 1991. It was also the parent of two British Dykes medals winners in Marjorie Brummitt’s 'Cambridge' in 1971 and 'Anniversary' in 1979. Now that is some record of success!

                                    'White Swirl' in the gardens at Michigan State University

Like 'Caesar’s Brother', 'White Swirl' is still readily available from plant nurseries and has garden value well beyond its considerable historical significance. Reportedly Fred Cassebeer in his later years requested that when he died he wanted 'White Swirl' planted on his grave – we can only hope that it was.

So, which was the greatest? 'Caesar's Brother'? 'White Swirl'? Or are there other contenders such as Currier McEwen's yellow  'Butter and Sugar'?